Unwanted Sounds? Gone! Learn How to Remove Background Noise in FCP for 2024
Unwanted Sounds? Gone! Learn How to Remove Background Noise in FCP
How to Remove Background Noise in Final Cut Pro X?
Benjamin Arango
Oct 26, 2023• Proven solutions
As per research, audio plays a more vital role than the visuals in a video. Yes, no one will ever like a video that gets the audio track unrelated to the moving clip or has no voice. Similarly, suppose you are shooting or recording a live video. In that case, the most off-putting factors like background noise, improper microphone, and various distractions from the environment can affect the video or the movie quality.
Even if you perform recording in a proper studio, slight background noise can sneak into your video. So, tuning the voice or removing it is mandatory. If you are a Mac user, you can use the FCP noise removal to accomplish the task with no other third-party assistance. Please take a look at our today’s article to know how to get rid of background noise in Final Cut Pro. Alongside, you can also get to know some noise reduction plugins for FCPX.
And you may need this guide to learn how to remove background noise in more ways in FCPX.
Part 1: How to Remove Background Noise from Audio in Final Cut Pro X?
Want to know how to remove background noise in Final Cut Pro X? Here is a step-by-step guide for you to follow.
Step 1: Start new project & import files
Once you have launched the Final Cut Pro X application on your Mac device, go to “File > New > Project”.
Name the project and customize the video on the following pop-up window. You can then import the video files by executing “File > Import > Media”.
Step 2: Click the audio Enhancer option
Now, take the video onto the timeline and execute “Modify > Auto Enhance Audio” from the top menu bar or use the keyboard shortcut “Command-A.”
On the options above the timeline, tap the “Magic” icon, and from the drop-down, you can choose the Auto Enhancer Audio option.
You will also see another option to open an audio enhancer, which you can accomplish by clicking the Audio icon, which you can find above the Preview screen.
Step 3: Customize the Audio inspector
You will now get an audio enhancer or inspector toolbox on the right of the screen from where you can optimize or configure various options like equalization adjustments, loudness settings, noise removal, and hum removal.
Using FCP noise removal is so easy. And to remove background noise in Final Cut Pro X, you need to enable the Noise Removal checkbox and slide the pointer to a particular level. That is how to remove background noise in FCPX at ease.
Another exciting option offered for Mac users is hum removal in Final Cut Pro. Yes, under the audio enhancement window, you have a separate checkbox for hum removal where you can select either option of 50Hz or 60Hz.
Still not get it? Well, try Filmora and learn how to remove background noise in easy ways!
Part 2: Noise Reduction Plugins for Final Cut Pro X
If you are wondering how to remove background noise in Final Cut Pro in any alternative way? Then, the noise reduction plugins for FCPX are the best choice. Listed are some Plugins highly recommended for noise reduction in your videos.
- Neat Video
Neat Video is our first noise reduction plugin for FCPX that helps remove background noise, flicker, digital noise, and other imperfections. It is an effective plugin with which cleaning up your video on any source like camera, TV tuners, and digital films are made possible. Preferred by professionals and enthusiasts, the Neat Video plugin is engineered with the noise-profiling approach and sophisticated mathematical algorithms for accurate and efficient results. Importantly, Neat Video works faster, taking full advantage of GPU and CPU hardware.
- ProDenoise
Introduced from Pixel Film Studios, Final Cut Pro X users can now soften or subdue noise or grain from their video clip with the ProDenoise plugin. With ProDenoise, you can sharpen your video cleaner and sharper in just a few mouse clicks quicker. A great-looking video is ready to be crafted with detailed recovery and edge protection techniques with this ProDenoise plugin. With this plugin of ProDenoise, you can access attractive tools like auto-detect rain and noise, denoise calibrator, image quality enhancer, and finally, designed especially for Final Cut Pro X users.
- ERA 5 Noise Remover
If you are looking for a Final Cut Pro noise reduction plugin for free, then, ERA 5 Noise Remover is what you should try today! With a free trial offer for its customers, it is compatible with Windows and Mac. With just one dial, you can clean up the noise and edit your video as desired. It could remove background noise , hum, buzz, A/C, fan, or any other background noise. ERA 5 can put a full stop to all your background noise worries. Offering comprehensive tools like ERA reverb remover, ERA plosive remover, and ERA de-esser, Accusonus tools run in real-time where you can get the best results with a one-knob style functionality!
Conclusion
Hence, this is how to remove background noise in Final Cut Pro hassle-free. Do you have a video to edit and clear by getting rid of unwanted background noise?
For more audio problems in FCPX, you may want to learn more about how to sync your video and audio in FCPX here.
Then, FCP noise removal is the best in-built choice to give a try. Don’t forget to endeavor the above-discussed noise reduction plugin for FCPX as well!
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Oct 26, 2023• Proven solutions
As per research, audio plays a more vital role than the visuals in a video. Yes, no one will ever like a video that gets the audio track unrelated to the moving clip or has no voice. Similarly, suppose you are shooting or recording a live video. In that case, the most off-putting factors like background noise, improper microphone, and various distractions from the environment can affect the video or the movie quality.
Even if you perform recording in a proper studio, slight background noise can sneak into your video. So, tuning the voice or removing it is mandatory. If you are a Mac user, you can use the FCP noise removal to accomplish the task with no other third-party assistance. Please take a look at our today’s article to know how to get rid of background noise in Final Cut Pro. Alongside, you can also get to know some noise reduction plugins for FCPX.
And you may need this guide to learn how to remove background noise in more ways in FCPX.
Part 1: How to Remove Background Noise from Audio in Final Cut Pro X?
Want to know how to remove background noise in Final Cut Pro X? Here is a step-by-step guide for you to follow.
Step 1: Start new project & import files
Once you have launched the Final Cut Pro X application on your Mac device, go to “File > New > Project”.
Name the project and customize the video on the following pop-up window. You can then import the video files by executing “File > Import > Media”.
Step 2: Click the audio Enhancer option
Now, take the video onto the timeline and execute “Modify > Auto Enhance Audio” from the top menu bar or use the keyboard shortcut “Command-A.”
On the options above the timeline, tap the “Magic” icon, and from the drop-down, you can choose the Auto Enhancer Audio option.
You will also see another option to open an audio enhancer, which you can accomplish by clicking the Audio icon, which you can find above the Preview screen.
Step 3: Customize the Audio inspector
You will now get an audio enhancer or inspector toolbox on the right of the screen from where you can optimize or configure various options like equalization adjustments, loudness settings, noise removal, and hum removal.
Using FCP noise removal is so easy. And to remove background noise in Final Cut Pro X, you need to enable the Noise Removal checkbox and slide the pointer to a particular level. That is how to remove background noise in FCPX at ease.
Another exciting option offered for Mac users is hum removal in Final Cut Pro. Yes, under the audio enhancement window, you have a separate checkbox for hum removal where you can select either option of 50Hz or 60Hz.
Still not get it? Well, try Filmora and learn how to remove background noise in easy ways!
Part 2: Noise Reduction Plugins for Final Cut Pro X
If you are wondering how to remove background noise in Final Cut Pro in any alternative way? Then, the noise reduction plugins for FCPX are the best choice. Listed are some Plugins highly recommended for noise reduction in your videos.
- Neat Video
Neat Video is our first noise reduction plugin for FCPX that helps remove background noise, flicker, digital noise, and other imperfections. It is an effective plugin with which cleaning up your video on any source like camera, TV tuners, and digital films are made possible. Preferred by professionals and enthusiasts, the Neat Video plugin is engineered with the noise-profiling approach and sophisticated mathematical algorithms for accurate and efficient results. Importantly, Neat Video works faster, taking full advantage of GPU and CPU hardware.
- ProDenoise
Introduced from Pixel Film Studios, Final Cut Pro X users can now soften or subdue noise or grain from their video clip with the ProDenoise plugin. With ProDenoise, you can sharpen your video cleaner and sharper in just a few mouse clicks quicker. A great-looking video is ready to be crafted with detailed recovery and edge protection techniques with this ProDenoise plugin. With this plugin of ProDenoise, you can access attractive tools like auto-detect rain and noise, denoise calibrator, image quality enhancer, and finally, designed especially for Final Cut Pro X users.
- ERA 5 Noise Remover
If you are looking for a Final Cut Pro noise reduction plugin for free, then, ERA 5 Noise Remover is what you should try today! With a free trial offer for its customers, it is compatible with Windows and Mac. With just one dial, you can clean up the noise and edit your video as desired. It could remove background noise , hum, buzz, A/C, fan, or any other background noise. ERA 5 can put a full stop to all your background noise worries. Offering comprehensive tools like ERA reverb remover, ERA plosive remover, and ERA de-esser, Accusonus tools run in real-time where you can get the best results with a one-knob style functionality!
Conclusion
Hence, this is how to remove background noise in Final Cut Pro hassle-free. Do you have a video to edit and clear by getting rid of unwanted background noise?
For more audio problems in FCPX, you may want to learn more about how to sync your video and audio in FCPX here.
Then, FCP noise removal is the best in-built choice to give a try. Don’t forget to endeavor the above-discussed noise reduction plugin for FCPX as well!
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Oct 26, 2023• Proven solutions
As per research, audio plays a more vital role than the visuals in a video. Yes, no one will ever like a video that gets the audio track unrelated to the moving clip or has no voice. Similarly, suppose you are shooting or recording a live video. In that case, the most off-putting factors like background noise, improper microphone, and various distractions from the environment can affect the video or the movie quality.
Even if you perform recording in a proper studio, slight background noise can sneak into your video. So, tuning the voice or removing it is mandatory. If you are a Mac user, you can use the FCP noise removal to accomplish the task with no other third-party assistance. Please take a look at our today’s article to know how to get rid of background noise in Final Cut Pro. Alongside, you can also get to know some noise reduction plugins for FCPX.
And you may need this guide to learn how to remove background noise in more ways in FCPX.
Part 1: How to Remove Background Noise from Audio in Final Cut Pro X?
Want to know how to remove background noise in Final Cut Pro X? Here is a step-by-step guide for you to follow.
Step 1: Start new project & import files
Once you have launched the Final Cut Pro X application on your Mac device, go to “File > New > Project”.
Name the project and customize the video on the following pop-up window. You can then import the video files by executing “File > Import > Media”.
Step 2: Click the audio Enhancer option
Now, take the video onto the timeline and execute “Modify > Auto Enhance Audio” from the top menu bar or use the keyboard shortcut “Command-A.”
On the options above the timeline, tap the “Magic” icon, and from the drop-down, you can choose the Auto Enhancer Audio option.
You will also see another option to open an audio enhancer, which you can accomplish by clicking the Audio icon, which you can find above the Preview screen.
Step 3: Customize the Audio inspector
You will now get an audio enhancer or inspector toolbox on the right of the screen from where you can optimize or configure various options like equalization adjustments, loudness settings, noise removal, and hum removal.
Using FCP noise removal is so easy. And to remove background noise in Final Cut Pro X, you need to enable the Noise Removal checkbox and slide the pointer to a particular level. That is how to remove background noise in FCPX at ease.
Another exciting option offered for Mac users is hum removal in Final Cut Pro. Yes, under the audio enhancement window, you have a separate checkbox for hum removal where you can select either option of 50Hz or 60Hz.
Still not get it? Well, try Filmora and learn how to remove background noise in easy ways!
Part 2: Noise Reduction Plugins for Final Cut Pro X
If you are wondering how to remove background noise in Final Cut Pro in any alternative way? Then, the noise reduction plugins for FCPX are the best choice. Listed are some Plugins highly recommended for noise reduction in your videos.
- Neat Video
Neat Video is our first noise reduction plugin for FCPX that helps remove background noise, flicker, digital noise, and other imperfections. It is an effective plugin with which cleaning up your video on any source like camera, TV tuners, and digital films are made possible. Preferred by professionals and enthusiasts, the Neat Video plugin is engineered with the noise-profiling approach and sophisticated mathematical algorithms for accurate and efficient results. Importantly, Neat Video works faster, taking full advantage of GPU and CPU hardware.
- ProDenoise
Introduced from Pixel Film Studios, Final Cut Pro X users can now soften or subdue noise or grain from their video clip with the ProDenoise plugin. With ProDenoise, you can sharpen your video cleaner and sharper in just a few mouse clicks quicker. A great-looking video is ready to be crafted with detailed recovery and edge protection techniques with this ProDenoise plugin. With this plugin of ProDenoise, you can access attractive tools like auto-detect rain and noise, denoise calibrator, image quality enhancer, and finally, designed especially for Final Cut Pro X users.
- ERA 5 Noise Remover
If you are looking for a Final Cut Pro noise reduction plugin for free, then, ERA 5 Noise Remover is what you should try today! With a free trial offer for its customers, it is compatible with Windows and Mac. With just one dial, you can clean up the noise and edit your video as desired. It could remove background noise , hum, buzz, A/C, fan, or any other background noise. ERA 5 can put a full stop to all your background noise worries. Offering comprehensive tools like ERA reverb remover, ERA plosive remover, and ERA de-esser, Accusonus tools run in real-time where you can get the best results with a one-knob style functionality!
Conclusion
Hence, this is how to remove background noise in Final Cut Pro hassle-free. Do you have a video to edit and clear by getting rid of unwanted background noise?
For more audio problems in FCPX, you may want to learn more about how to sync your video and audio in FCPX here.
Then, FCP noise removal is the best in-built choice to give a try. Don’t forget to endeavor the above-discussed noise reduction plugin for FCPX as well!
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Oct 26, 2023• Proven solutions
As per research, audio plays a more vital role than the visuals in a video. Yes, no one will ever like a video that gets the audio track unrelated to the moving clip or has no voice. Similarly, suppose you are shooting or recording a live video. In that case, the most off-putting factors like background noise, improper microphone, and various distractions from the environment can affect the video or the movie quality.
Even if you perform recording in a proper studio, slight background noise can sneak into your video. So, tuning the voice or removing it is mandatory. If you are a Mac user, you can use the FCP noise removal to accomplish the task with no other third-party assistance. Please take a look at our today’s article to know how to get rid of background noise in Final Cut Pro. Alongside, you can also get to know some noise reduction plugins for FCPX.
And you may need this guide to learn how to remove background noise in more ways in FCPX.
Part 1: How to Remove Background Noise from Audio in Final Cut Pro X?
Want to know how to remove background noise in Final Cut Pro X? Here is a step-by-step guide for you to follow.
Step 1: Start new project & import files
Once you have launched the Final Cut Pro X application on your Mac device, go to “File > New > Project”.
Name the project and customize the video on the following pop-up window. You can then import the video files by executing “File > Import > Media”.
Step 2: Click the audio Enhancer option
Now, take the video onto the timeline and execute “Modify > Auto Enhance Audio” from the top menu bar or use the keyboard shortcut “Command-A.”
On the options above the timeline, tap the “Magic” icon, and from the drop-down, you can choose the Auto Enhancer Audio option.
You will also see another option to open an audio enhancer, which you can accomplish by clicking the Audio icon, which you can find above the Preview screen.
Step 3: Customize the Audio inspector
You will now get an audio enhancer or inspector toolbox on the right of the screen from where you can optimize or configure various options like equalization adjustments, loudness settings, noise removal, and hum removal.
Using FCP noise removal is so easy. And to remove background noise in Final Cut Pro X, you need to enable the Noise Removal checkbox and slide the pointer to a particular level. That is how to remove background noise in FCPX at ease.
Another exciting option offered for Mac users is hum removal in Final Cut Pro. Yes, under the audio enhancement window, you have a separate checkbox for hum removal where you can select either option of 50Hz or 60Hz.
Still not get it? Well, try Filmora and learn how to remove background noise in easy ways!
Part 2: Noise Reduction Plugins for Final Cut Pro X
If you are wondering how to remove background noise in Final Cut Pro in any alternative way? Then, the noise reduction plugins for FCPX are the best choice. Listed are some Plugins highly recommended for noise reduction in your videos.
- Neat Video
Neat Video is our first noise reduction plugin for FCPX that helps remove background noise, flicker, digital noise, and other imperfections. It is an effective plugin with which cleaning up your video on any source like camera, TV tuners, and digital films are made possible. Preferred by professionals and enthusiasts, the Neat Video plugin is engineered with the noise-profiling approach and sophisticated mathematical algorithms for accurate and efficient results. Importantly, Neat Video works faster, taking full advantage of GPU and CPU hardware.
- ProDenoise
Introduced from Pixel Film Studios, Final Cut Pro X users can now soften or subdue noise or grain from their video clip with the ProDenoise plugin. With ProDenoise, you can sharpen your video cleaner and sharper in just a few mouse clicks quicker. A great-looking video is ready to be crafted with detailed recovery and edge protection techniques with this ProDenoise plugin. With this plugin of ProDenoise, you can access attractive tools like auto-detect rain and noise, denoise calibrator, image quality enhancer, and finally, designed especially for Final Cut Pro X users.
- ERA 5 Noise Remover
If you are looking for a Final Cut Pro noise reduction plugin for free, then, ERA 5 Noise Remover is what you should try today! With a free trial offer for its customers, it is compatible with Windows and Mac. With just one dial, you can clean up the noise and edit your video as desired. It could remove background noise , hum, buzz, A/C, fan, or any other background noise. ERA 5 can put a full stop to all your background noise worries. Offering comprehensive tools like ERA reverb remover, ERA plosive remover, and ERA de-esser, Accusonus tools run in real-time where you can get the best results with a one-knob style functionality!
Conclusion
Hence, this is how to remove background noise in Final Cut Pro hassle-free. Do you have a video to edit and clear by getting rid of unwanted background noise?
For more audio problems in FCPX, you may want to learn more about how to sync your video and audio in FCPX here.
Then, FCP noise removal is the best in-built choice to give a try. Don’t forget to endeavor the above-discussed noise reduction plugin for FCPX as well!
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Measuring Up: How to Calculate Pixel Dimensions Accurately
How to Calculate Pixel Calculator Ratio
An easy yet powerful editor
Numerous effects to choose from
Detailed tutorials provided by the official channel
Size, formats, and resolution… What are pixels exactly doing with it?
So let’s review some basics on pixel calculator ratio to create an easy life, your workflow more productive, and your photos of the ideal size for the intended purpose.
In this article
01 [What is Pixel Aspect Ratio?](#Part 1)
02 [How is Pixel Ratio Calculated?](#Part 2)
03 [Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?](#Part 3)
04 [Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio](#Part 4)
05 [How Aspect Ratios Affect UI/UX Design?](#Part 5)
Part 1 What is Pixel Aspect Ratio?
A digital image is not a single non-dividable thing. You’ll see that your photo is like a mosaic formed by small tiles if you zoom in far enough, which are known as pixels in photography.
The amount of these pixels and the way they are divided are the two elements that you’re required to take into account to know more about the resolution and pixel calculator ratio.
The Pixel Aspect Ratio is simply the latest way of defining the length of one side of a pixel in context to the length of the other.
Let’s say the ratio is 1:1; each side of the pixel is the same length as the other, also known as a square in pixels.
If the ratio is 2:1, it means that one side is twice the length of the other.
NOTE: The ‘Aspect Ratio’ does not define the actual or exact length of the side of a pixel is, just its “relative” size of one side to the other. The actual length will depend on how much you shrink or stretch a photo when recreating it. But if the Pixel Calculator Ratio is 1:1, then the pixels will always be square irrespective of the size of that particular photo.
Part 2 How is Pixel Ratio Calculated?
You can use a pixel ratio calculator to calculate the pixels within a screen. So, we’d like to suggest a calculator by xwebtools.com.
Here, you can see tabs, namely the Common Ratios Ratio Width, Ratio Height, Pixels Width, and Pixels Height.
How it works:
This pixel ratio calculator converts pixel dimensions to aspect ratios. It is an online free tool that assists you in calculating the aspect ratio value of an object or a photo.
The conversion can be carried in both ways, aspect ratio to pixels and pixels to aspect ratio. This screen resolution calculator offers a powerful and simple tool that can convert the ratio of images to pixels resolution and pixels to ratio dimensions.
You need to provide Pixels Width and Pixels Height to calculate the aspect ratio; the aspect ratio will be automatically calculated.
You need to provide Ratio Height and Ratio Width to calculate pixel resolutions. Both the Pixels Width and Height will get automatically calculated.
Part 3 What is Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?
Pixel ratio: Adobe Premiere Pro
As we already discussed, an aspect ratio defines width to height. The still picture and video frames have a frame aspect ratio. The pixels that create the frame have a pixel aspect ratio (sometimes called PAR).
Different video recording standards have different aspect ratios. For instance, you record video for television in either a 16:9 or a 4:3 frame aspect ratio.
You set the frame and pixel aspect when you create a project in Adobe Premiere Pro. Once you set these ratios, you can’t change them for that project. However, you can edit the aspect ratio of a sequence. You can also use assets made with different aspect ratios in the project.
Premiere Pro automatically compensates for the pixel aspect ratio of source files.
If an asset still feels distorted, you can manually mention its pixel aspect ratio. But that isn’t very clear, especially for a beginner. This is why we recommend doing the following.
Pixel ratio: Wondershare Filmora
You need a converter or a video editor to change the aspect ratio permanently. Here we humbly recommend an excellent aspect ratio changer - Wondershare Filmora video editor, which helps you make 4:3, 9:16, 16:9, and 1:1 aspect ratio videos pretty quickly.
Wondershare Filmora
Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!
Try It Free Try It Free Try It Free Learn More >
Furthermore, you can conveniently share these videos on YouTube, Apple TV, Vimeo, and mobile devices.
Transform aspect ratio at the beginning interface
Wondershare Filmora Video Editor helps you change the project aspect ratio right after launching the video editor program.
If you click the drop-down menu, you will see the usual 16:9, 1:1, 9:16, 4:3, and 21:9 aspect ratios.
Unlike Adobe Premiere Pro, Wondershare Filmora offers you four more ways of setting aspect ratios efficiently.
Method 2: You can change the aspect ratio under Project Settings
Method 3: Change the aspect ratio of video with Auto-Reframe
Method 4: Change aspect ratio during Editing
Method 5: Change aspect ratio while Exporting
Thus, using the Wondershare Filmora along with the pixel ratio calculator makes a difference!
Part 4 Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio
Although the image aspect ratio comes from its width and height, it also contains multiple subsets that help to define image proportions properly.
1 - Pixel aspect ratio
Pixel aspect ratio (PAR) is the proportion of the specific pixels within an image. They are generally square within the pixel aspect ratio of 1:1.
But sometimes, specific images are optimized for certain types of displays. And, they have rectangular pixels with an aspect ratio of 4:3 or similar.
2 - Display aspect ratio
The display aspect ratio (DAR) is the designers’ most frequent aspect ratio and gets generally synced with the general term.
As the name suggests, the display aspect ratio refers to the proportions of an image as it appears on different screens out there.
Some devices, such as televisions and cameras, have a fixed DAR for images to display nicely on these devices.
They need optimization for their specific or respective aspect ratio. For instance, a typical display aspect ratio for the widescreen video on a television screen or monitor screen is 16:9.
They appear distorted when images with different aspect ratios are presented on these devices. Digital SLR camera sensors also consist of a fixed display aspect ratio, which controls how pictures captured by the camera will be displayed and saved.
3 - Storage aspect ratio
Storage aspect ratio, commonly known as (SAR) is an aspect ratio formula that concerns specifically to encoded digital video files. SAR refers to the height and the width relationship in video frame size, and it is required to be consistent among all individual frames.
SAR x PAR = DAR for max widescreen videos in a usual used formula.
Part 1 Part 5: How Aspect Ratios Affect UI/UX Design?
Aspect ratios play a vital part in any project that consists of displaying and capturing photographs, videos, or other image-based files in an ideal manner. The camera’s fixed aspect ratio can considerably impact, especially for photographers.
And for videographers or anyone working with slideshows, animations, and other motion projects, the aspect ratio is a prominent element for correct display on mobile devices and widescreen.
But even in the environment of responsive web design, problems can arise, such as when an image is not adjustable for display without compromising its quality or content.
A small example is when you need a square image with a 1:1 aspect ratio to insert into a rectangular box on a web page. To accommodate varying image size requirements, proportions and size may need adjustment.
In an increasingly picture-driven digital world, videos and images that look even slightly out of the way add to a visitor’s negative impression of a site. Besides those forced into the wrong configurations can even interfere with a site’s usability.
Poorly proportioned user guide or product images video that’s too stretched to check clearly can affect both a visitor’s want and their ability to use the site. Developers, designers, and anyone working with images will need to know how aspect ratios work and manipulate them for the best visual effect.
Various pixel calculator ratios, both paid and free, have popped up on the web to streamline the process.
Key Takeaways from This Episode
● An overview of pixels
● Understanding the importance of pixel ratio calculators
● Different pixel ratios and their impact on UI/UX design
Size, formats, and resolution… What are pixels exactly doing with it?
So let’s review some basics on pixel calculator ratio to create an easy life, your workflow more productive, and your photos of the ideal size for the intended purpose.
In this article
01 [What is Pixel Aspect Ratio?](#Part 1)
02 [How is Pixel Ratio Calculated?](#Part 2)
03 [Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?](#Part 3)
04 [Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio](#Part 4)
05 [How Aspect Ratios Affect UI/UX Design?](#Part 5)
Part 1 What is Pixel Aspect Ratio?
A digital image is not a single non-dividable thing. You’ll see that your photo is like a mosaic formed by small tiles if you zoom in far enough, which are known as pixels in photography.
The amount of these pixels and the way they are divided are the two elements that you’re required to take into account to know more about the resolution and pixel calculator ratio.
The Pixel Aspect Ratio is simply the latest way of defining the length of one side of a pixel in context to the length of the other.
Let’s say the ratio is 1:1; each side of the pixel is the same length as the other, also known as a square in pixels.
If the ratio is 2:1, it means that one side is twice the length of the other.
NOTE: The ‘Aspect Ratio’ does not define the actual or exact length of the side of a pixel is, just its “relative” size of one side to the other. The actual length will depend on how much you shrink or stretch a photo when recreating it. But if the Pixel Calculator Ratio is 1:1, then the pixels will always be square irrespective of the size of that particular photo.
Part 2 How is Pixel Ratio Calculated?
You can use a pixel ratio calculator to calculate the pixels within a screen. So, we’d like to suggest a calculator by xwebtools.com.
Here, you can see tabs, namely the Common Ratios Ratio Width, Ratio Height, Pixels Width, and Pixels Height.
How it works:
This pixel ratio calculator converts pixel dimensions to aspect ratios. It is an online free tool that assists you in calculating the aspect ratio value of an object or a photo.
The conversion can be carried in both ways, aspect ratio to pixels and pixels to aspect ratio. This screen resolution calculator offers a powerful and simple tool that can convert the ratio of images to pixels resolution and pixels to ratio dimensions.
You need to provide Pixels Width and Pixels Height to calculate the aspect ratio; the aspect ratio will be automatically calculated.
You need to provide Ratio Height and Ratio Width to calculate pixel resolutions. Both the Pixels Width and Height will get automatically calculated.
Part 3 What is Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?
Pixel ratio: Adobe Premiere Pro
As we already discussed, an aspect ratio defines width to height. The still picture and video frames have a frame aspect ratio. The pixels that create the frame have a pixel aspect ratio (sometimes called PAR).
Different video recording standards have different aspect ratios. For instance, you record video for television in either a 16:9 or a 4:3 frame aspect ratio.
You set the frame and pixel aspect when you create a project in Adobe Premiere Pro. Once you set these ratios, you can’t change them for that project. However, you can edit the aspect ratio of a sequence. You can also use assets made with different aspect ratios in the project.
Premiere Pro automatically compensates for the pixel aspect ratio of source files.
If an asset still feels distorted, you can manually mention its pixel aspect ratio. But that isn’t very clear, especially for a beginner. This is why we recommend doing the following.
Pixel ratio: Wondershare Filmora
You need a converter or a video editor to change the aspect ratio permanently. Here we humbly recommend an excellent aspect ratio changer - Wondershare Filmora video editor, which helps you make 4:3, 9:16, 16:9, and 1:1 aspect ratio videos pretty quickly.
Wondershare Filmora
Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!
Try It Free Try It Free Try It Free Learn More >
Furthermore, you can conveniently share these videos on YouTube, Apple TV, Vimeo, and mobile devices.
Transform aspect ratio at the beginning interface
Wondershare Filmora Video Editor helps you change the project aspect ratio right after launching the video editor program.
If you click the drop-down menu, you will see the usual 16:9, 1:1, 9:16, 4:3, and 21:9 aspect ratios.
Unlike Adobe Premiere Pro, Wondershare Filmora offers you four more ways of setting aspect ratios efficiently.
Method 2: You can change the aspect ratio under Project Settings
Method 3: Change the aspect ratio of video with Auto-Reframe
Method 4: Change aspect ratio during Editing
Method 5: Change aspect ratio while Exporting
Thus, using the Wondershare Filmora along with the pixel ratio calculator makes a difference!
Part 4 Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio
Although the image aspect ratio comes from its width and height, it also contains multiple subsets that help to define image proportions properly.
1 - Pixel aspect ratio
Pixel aspect ratio (PAR) is the proportion of the specific pixels within an image. They are generally square within the pixel aspect ratio of 1:1.
But sometimes, specific images are optimized for certain types of displays. And, they have rectangular pixels with an aspect ratio of 4:3 or similar.
2 - Display aspect ratio
The display aspect ratio (DAR) is the designers’ most frequent aspect ratio and gets generally synced with the general term.
As the name suggests, the display aspect ratio refers to the proportions of an image as it appears on different screens out there.
Some devices, such as televisions and cameras, have a fixed DAR for images to display nicely on these devices.
They need optimization for their specific or respective aspect ratio. For instance, a typical display aspect ratio for the widescreen video on a television screen or monitor screen is 16:9.
They appear distorted when images with different aspect ratios are presented on these devices. Digital SLR camera sensors also consist of a fixed display aspect ratio, which controls how pictures captured by the camera will be displayed and saved.
3 - Storage aspect ratio
Storage aspect ratio, commonly known as (SAR) is an aspect ratio formula that concerns specifically to encoded digital video files. SAR refers to the height and the width relationship in video frame size, and it is required to be consistent among all individual frames.
SAR x PAR = DAR for max widescreen videos in a usual used formula.
Part 1 Part 5: How Aspect Ratios Affect UI/UX Design?
Aspect ratios play a vital part in any project that consists of displaying and capturing photographs, videos, or other image-based files in an ideal manner. The camera’s fixed aspect ratio can considerably impact, especially for photographers.
And for videographers or anyone working with slideshows, animations, and other motion projects, the aspect ratio is a prominent element for correct display on mobile devices and widescreen.
But even in the environment of responsive web design, problems can arise, such as when an image is not adjustable for display without compromising its quality or content.
A small example is when you need a square image with a 1:1 aspect ratio to insert into a rectangular box on a web page. To accommodate varying image size requirements, proportions and size may need adjustment.
In an increasingly picture-driven digital world, videos and images that look even slightly out of the way add to a visitor’s negative impression of a site. Besides those forced into the wrong configurations can even interfere with a site’s usability.
Poorly proportioned user guide or product images video that’s too stretched to check clearly can affect both a visitor’s want and their ability to use the site. Developers, designers, and anyone working with images will need to know how aspect ratios work and manipulate them for the best visual effect.
Various pixel calculator ratios, both paid and free, have popped up on the web to streamline the process.
Key Takeaways from This Episode
● An overview of pixels
● Understanding the importance of pixel ratio calculators
● Different pixel ratios and their impact on UI/UX design
Size, formats, and resolution… What are pixels exactly doing with it?
So let’s review some basics on pixel calculator ratio to create an easy life, your workflow more productive, and your photos of the ideal size for the intended purpose.
In this article
01 [What is Pixel Aspect Ratio?](#Part 1)
02 [How is Pixel Ratio Calculated?](#Part 2)
03 [Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?](#Part 3)
04 [Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio](#Part 4)
05 [How Aspect Ratios Affect UI/UX Design?](#Part 5)
Part 1 What is Pixel Aspect Ratio?
A digital image is not a single non-dividable thing. You’ll see that your photo is like a mosaic formed by small tiles if you zoom in far enough, which are known as pixels in photography.
The amount of these pixels and the way they are divided are the two elements that you’re required to take into account to know more about the resolution and pixel calculator ratio.
The Pixel Aspect Ratio is simply the latest way of defining the length of one side of a pixel in context to the length of the other.
Let’s say the ratio is 1:1; each side of the pixel is the same length as the other, also known as a square in pixels.
If the ratio is 2:1, it means that one side is twice the length of the other.
NOTE: The ‘Aspect Ratio’ does not define the actual or exact length of the side of a pixel is, just its “relative” size of one side to the other. The actual length will depend on how much you shrink or stretch a photo when recreating it. But if the Pixel Calculator Ratio is 1:1, then the pixels will always be square irrespective of the size of that particular photo.
Part 2 How is Pixel Ratio Calculated?
You can use a pixel ratio calculator to calculate the pixels within a screen. So, we’d like to suggest a calculator by xwebtools.com.
Here, you can see tabs, namely the Common Ratios Ratio Width, Ratio Height, Pixels Width, and Pixels Height.
How it works:
This pixel ratio calculator converts pixel dimensions to aspect ratios. It is an online free tool that assists you in calculating the aspect ratio value of an object or a photo.
The conversion can be carried in both ways, aspect ratio to pixels and pixels to aspect ratio. This screen resolution calculator offers a powerful and simple tool that can convert the ratio of images to pixels resolution and pixels to ratio dimensions.
You need to provide Pixels Width and Pixels Height to calculate the aspect ratio; the aspect ratio will be automatically calculated.
You need to provide Ratio Height and Ratio Width to calculate pixel resolutions. Both the Pixels Width and Height will get automatically calculated.
Part 3 What is Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?
Pixel ratio: Adobe Premiere Pro
As we already discussed, an aspect ratio defines width to height. The still picture and video frames have a frame aspect ratio. The pixels that create the frame have a pixel aspect ratio (sometimes called PAR).
Different video recording standards have different aspect ratios. For instance, you record video for television in either a 16:9 or a 4:3 frame aspect ratio.
You set the frame and pixel aspect when you create a project in Adobe Premiere Pro. Once you set these ratios, you can’t change them for that project. However, you can edit the aspect ratio of a sequence. You can also use assets made with different aspect ratios in the project.
Premiere Pro automatically compensates for the pixel aspect ratio of source files.
If an asset still feels distorted, you can manually mention its pixel aspect ratio. But that isn’t very clear, especially for a beginner. This is why we recommend doing the following.
Pixel ratio: Wondershare Filmora
You need a converter or a video editor to change the aspect ratio permanently. Here we humbly recommend an excellent aspect ratio changer - Wondershare Filmora video editor, which helps you make 4:3, 9:16, 16:9, and 1:1 aspect ratio videos pretty quickly.
Wondershare Filmora
Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!
Try It Free Try It Free Try It Free Learn More >
Furthermore, you can conveniently share these videos on YouTube, Apple TV, Vimeo, and mobile devices.
Transform aspect ratio at the beginning interface
Wondershare Filmora Video Editor helps you change the project aspect ratio right after launching the video editor program.
If you click the drop-down menu, you will see the usual 16:9, 1:1, 9:16, 4:3, and 21:9 aspect ratios.
Unlike Adobe Premiere Pro, Wondershare Filmora offers you four more ways of setting aspect ratios efficiently.
Method 2: You can change the aspect ratio under Project Settings
Method 3: Change the aspect ratio of video with Auto-Reframe
Method 4: Change aspect ratio during Editing
Method 5: Change aspect ratio while Exporting
Thus, using the Wondershare Filmora along with the pixel ratio calculator makes a difference!
Part 4 Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio
Although the image aspect ratio comes from its width and height, it also contains multiple subsets that help to define image proportions properly.
1 - Pixel aspect ratio
Pixel aspect ratio (PAR) is the proportion of the specific pixels within an image. They are generally square within the pixel aspect ratio of 1:1.
But sometimes, specific images are optimized for certain types of displays. And, they have rectangular pixels with an aspect ratio of 4:3 or similar.
2 - Display aspect ratio
The display aspect ratio (DAR) is the designers’ most frequent aspect ratio and gets generally synced with the general term.
As the name suggests, the display aspect ratio refers to the proportions of an image as it appears on different screens out there.
Some devices, such as televisions and cameras, have a fixed DAR for images to display nicely on these devices.
They need optimization for their specific or respective aspect ratio. For instance, a typical display aspect ratio for the widescreen video on a television screen or monitor screen is 16:9.
They appear distorted when images with different aspect ratios are presented on these devices. Digital SLR camera sensors also consist of a fixed display aspect ratio, which controls how pictures captured by the camera will be displayed and saved.
3 - Storage aspect ratio
Storage aspect ratio, commonly known as (SAR) is an aspect ratio formula that concerns specifically to encoded digital video files. SAR refers to the height and the width relationship in video frame size, and it is required to be consistent among all individual frames.
SAR x PAR = DAR for max widescreen videos in a usual used formula.
Part 1 Part 5: How Aspect Ratios Affect UI/UX Design?
Aspect ratios play a vital part in any project that consists of displaying and capturing photographs, videos, or other image-based files in an ideal manner. The camera’s fixed aspect ratio can considerably impact, especially for photographers.
And for videographers or anyone working with slideshows, animations, and other motion projects, the aspect ratio is a prominent element for correct display on mobile devices and widescreen.
But even in the environment of responsive web design, problems can arise, such as when an image is not adjustable for display without compromising its quality or content.
A small example is when you need a square image with a 1:1 aspect ratio to insert into a rectangular box on a web page. To accommodate varying image size requirements, proportions and size may need adjustment.
In an increasingly picture-driven digital world, videos and images that look even slightly out of the way add to a visitor’s negative impression of a site. Besides those forced into the wrong configurations can even interfere with a site’s usability.
Poorly proportioned user guide or product images video that’s too stretched to check clearly can affect both a visitor’s want and their ability to use the site. Developers, designers, and anyone working with images will need to know how aspect ratios work and manipulate them for the best visual effect.
Various pixel calculator ratios, both paid and free, have popped up on the web to streamline the process.
Key Takeaways from This Episode
● An overview of pixels
● Understanding the importance of pixel ratio calculators
● Different pixel ratios and their impact on UI/UX design
Size, formats, and resolution… What are pixels exactly doing with it?
So let’s review some basics on pixel calculator ratio to create an easy life, your workflow more productive, and your photos of the ideal size for the intended purpose.
In this article
01 [What is Pixel Aspect Ratio?](#Part 1)
02 [How is Pixel Ratio Calculated?](#Part 2)
03 [Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?](#Part 3)
04 [Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio](#Part 4)
05 [How Aspect Ratios Affect UI/UX Design?](#Part 5)
Part 1 What is Pixel Aspect Ratio?
A digital image is not a single non-dividable thing. You’ll see that your photo is like a mosaic formed by small tiles if you zoom in far enough, which are known as pixels in photography.
The amount of these pixels and the way they are divided are the two elements that you’re required to take into account to know more about the resolution and pixel calculator ratio.
The Pixel Aspect Ratio is simply the latest way of defining the length of one side of a pixel in context to the length of the other.
Let’s say the ratio is 1:1; each side of the pixel is the same length as the other, also known as a square in pixels.
If the ratio is 2:1, it means that one side is twice the length of the other.
NOTE: The ‘Aspect Ratio’ does not define the actual or exact length of the side of a pixel is, just its “relative” size of one side to the other. The actual length will depend on how much you shrink or stretch a photo when recreating it. But if the Pixel Calculator Ratio is 1:1, then the pixels will always be square irrespective of the size of that particular photo.
Part 2 How is Pixel Ratio Calculated?
You can use a pixel ratio calculator to calculate the pixels within a screen. So, we’d like to suggest a calculator by xwebtools.com.
Here, you can see tabs, namely the Common Ratios Ratio Width, Ratio Height, Pixels Width, and Pixels Height.
How it works:
This pixel ratio calculator converts pixel dimensions to aspect ratios. It is an online free tool that assists you in calculating the aspect ratio value of an object or a photo.
The conversion can be carried in both ways, aspect ratio to pixels and pixels to aspect ratio. This screen resolution calculator offers a powerful and simple tool that can convert the ratio of images to pixels resolution and pixels to ratio dimensions.
You need to provide Pixels Width and Pixels Height to calculate the aspect ratio; the aspect ratio will be automatically calculated.
You need to provide Ratio Height and Ratio Width to calculate pixel resolutions. Both the Pixels Width and Height will get automatically calculated.
Part 3 What is Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?
Pixel ratio: Adobe Premiere Pro
As we already discussed, an aspect ratio defines width to height. The still picture and video frames have a frame aspect ratio. The pixels that create the frame have a pixel aspect ratio (sometimes called PAR).
Different video recording standards have different aspect ratios. For instance, you record video for television in either a 16:9 or a 4:3 frame aspect ratio.
You set the frame and pixel aspect when you create a project in Adobe Premiere Pro. Once you set these ratios, you can’t change them for that project. However, you can edit the aspect ratio of a sequence. You can also use assets made with different aspect ratios in the project.
Premiere Pro automatically compensates for the pixel aspect ratio of source files.
If an asset still feels distorted, you can manually mention its pixel aspect ratio. But that isn’t very clear, especially for a beginner. This is why we recommend doing the following.
Pixel ratio: Wondershare Filmora
You need a converter or a video editor to change the aspect ratio permanently. Here we humbly recommend an excellent aspect ratio changer - Wondershare Filmora video editor, which helps you make 4:3, 9:16, 16:9, and 1:1 aspect ratio videos pretty quickly.
Wondershare Filmora
Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!
Try It Free Try It Free Try It Free Learn More >
Furthermore, you can conveniently share these videos on YouTube, Apple TV, Vimeo, and mobile devices.
Transform aspect ratio at the beginning interface
Wondershare Filmora Video Editor helps you change the project aspect ratio right after launching the video editor program.
If you click the drop-down menu, you will see the usual 16:9, 1:1, 9:16, 4:3, and 21:9 aspect ratios.
Unlike Adobe Premiere Pro, Wondershare Filmora offers you four more ways of setting aspect ratios efficiently.
Method 2: You can change the aspect ratio under Project Settings
Method 3: Change the aspect ratio of video with Auto-Reframe
Method 4: Change aspect ratio during Editing
Method 5: Change aspect ratio while Exporting
Thus, using the Wondershare Filmora along with the pixel ratio calculator makes a difference!
Part 4 Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio
Although the image aspect ratio comes from its width and height, it also contains multiple subsets that help to define image proportions properly.
1 - Pixel aspect ratio
Pixel aspect ratio (PAR) is the proportion of the specific pixels within an image. They are generally square within the pixel aspect ratio of 1:1.
But sometimes, specific images are optimized for certain types of displays. And, they have rectangular pixels with an aspect ratio of 4:3 or similar.
2 - Display aspect ratio
The display aspect ratio (DAR) is the designers’ most frequent aspect ratio and gets generally synced with the general term.
As the name suggests, the display aspect ratio refers to the proportions of an image as it appears on different screens out there.
Some devices, such as televisions and cameras, have a fixed DAR for images to display nicely on these devices.
They need optimization for their specific or respective aspect ratio. For instance, a typical display aspect ratio for the widescreen video on a television screen or monitor screen is 16:9.
They appear distorted when images with different aspect ratios are presented on these devices. Digital SLR camera sensors also consist of a fixed display aspect ratio, which controls how pictures captured by the camera will be displayed and saved.
3 - Storage aspect ratio
Storage aspect ratio, commonly known as (SAR) is an aspect ratio formula that concerns specifically to encoded digital video files. SAR refers to the height and the width relationship in video frame size, and it is required to be consistent among all individual frames.
SAR x PAR = DAR for max widescreen videos in a usual used formula.
Part 1 Part 5: How Aspect Ratios Affect UI/UX Design?
Aspect ratios play a vital part in any project that consists of displaying and capturing photographs, videos, or other image-based files in an ideal manner. The camera’s fixed aspect ratio can considerably impact, especially for photographers.
And for videographers or anyone working with slideshows, animations, and other motion projects, the aspect ratio is a prominent element for correct display on mobile devices and widescreen.
But even in the environment of responsive web design, problems can arise, such as when an image is not adjustable for display without compromising its quality or content.
A small example is when you need a square image with a 1:1 aspect ratio to insert into a rectangular box on a web page. To accommodate varying image size requirements, proportions and size may need adjustment.
In an increasingly picture-driven digital world, videos and images that look even slightly out of the way add to a visitor’s negative impression of a site. Besides those forced into the wrong configurations can even interfere with a site’s usability.
Poorly proportioned user guide or product images video that’s too stretched to check clearly can affect both a visitor’s want and their ability to use the site. Developers, designers, and anyone working with images will need to know how aspect ratios work and manipulate them for the best visual effect.
Various pixel calculator ratios, both paid and free, have popped up on the web to streamline the process.
Key Takeaways from This Episode
● An overview of pixels
● Understanding the importance of pixel ratio calculators
● Different pixel ratios and their impact on UI/UX design
Mobile Video Editing Made Easy: PowerDirector Alternatives You Need to Know
Best PowerDirector Alternatives for Android and iOS
Liza Brown
Mar 27, 2024• Proven solutions
Video editing was once exclusively the realm of the PC, but with the power of modern smartphones and tablets even professionals are more frequently editing on the go. This should come as no surprise as most of our photos and footage are stored on mobile devices, while apps like PowerDirector give the full functionality of a professional editing suite on mobile technology.
Currently PowerDirector is only available on Android, but if you’re using an iOS device you’re sadly missing out. Luckily there are several alternative apps that allow you to edit your footage from a mobile device; see our reviews below.
Best PowerDirector Alternatives for Android and iOS
1. Kinemaster - £2.91 per month
System: Android, iOS
Kinemaster is an impressive app that brings simplicity to complex professional editing tools, making it easy to use even on a small screen. It supports multiple layers including unlimited text, handwriting and sticker layers, as well as up to two video layers and four additional audio tracks. The precision editing features allow you edit frame by frame and it’s easy to quickly import extra footage and add additional effects. With a host of other features we haven’t mentioned it’s amazing how simple this app is. The only downside is the pricing model; instead of a one-off payment you’re saddled with £2.91 per month, an investment that could end up exceeding the value of the app.
2. LumaFX - £2.99
System: iOS
LumaFX is a treasure trove of editing effects and goodies, allowing you to completely change the look of your video. The colour and FX sections of the app have a variety of filters and presets that allow you to do anything from fixing annoying colours to transforming your video into a psychedelic cartoon. The versatility of crop tools is also incredibly impressive, allowing you to crop your clip to different aspect ratios that can then be can be flipped and rotated, slowed down, reversed, and trimmed. Even if you decide on another more powerful editing app, the low cost and range of features of LumaFX makes it ideal for using in conjunction with your app of choice to produce the ultimate video content.
3. iMovie – Free
System: iOS
Every iOS user should be familiar with iMovie as it comes bundled on every apple device. Costing nothing is a big upside, especially when the technology handles as intuitively as it does. Splicing footage becomes laughably easy. On the audio side you can add music and personalised voiceovers to your videos and if you’re in the mood for something a little silly there are plenty of over the top TV templates and movie style themes. Accessibility is a big plus for iMovie, but it’s definitely geared to more casual users – professionals will find high end features lacking and should consider a more powerful paid alternative.
4. Adobe Premiere Clip - Free
System: Android, iOS
Another free offering, Adobe Premiere Clip shares many of both the benefits and flaws of iMovie. For the casual user its ideal, offering a straightforward means of arranging clips that’s predominantly designed for speed. The creative cloud allows you to continue editing on the desktop Premiere Pro making it a handy extension for existing Adobe customers. It’s also a much more compact download than iMovie; 91 MB compared to 600. There’s a standard array of editing features including trimming and a basic title editor, as well as the option to export options to social sharing sites of your choice, but unless you already work within the creative cloud there’s limited reasons to choose this over the superior iMovie.
There really is no beating PowerDirector for Android, but iOS users should be able to find an app or combination of apps to allow them to continue editing on the move.
Liza Brown
Liza Brown is a writer and a lover of all things video.
Follow @Liza Brown
Liza Brown
Mar 27, 2024• Proven solutions
Video editing was once exclusively the realm of the PC, but with the power of modern smartphones and tablets even professionals are more frequently editing on the go. This should come as no surprise as most of our photos and footage are stored on mobile devices, while apps like PowerDirector give the full functionality of a professional editing suite on mobile technology.
Currently PowerDirector is only available on Android, but if you’re using an iOS device you’re sadly missing out. Luckily there are several alternative apps that allow you to edit your footage from a mobile device; see our reviews below.
Best PowerDirector Alternatives for Android and iOS
1. Kinemaster - £2.91 per month
System: Android, iOS
Kinemaster is an impressive app that brings simplicity to complex professional editing tools, making it easy to use even on a small screen. It supports multiple layers including unlimited text, handwriting and sticker layers, as well as up to two video layers and four additional audio tracks. The precision editing features allow you edit frame by frame and it’s easy to quickly import extra footage and add additional effects. With a host of other features we haven’t mentioned it’s amazing how simple this app is. The only downside is the pricing model; instead of a one-off payment you’re saddled with £2.91 per month, an investment that could end up exceeding the value of the app.
2. LumaFX - £2.99
System: iOS
LumaFX is a treasure trove of editing effects and goodies, allowing you to completely change the look of your video. The colour and FX sections of the app have a variety of filters and presets that allow you to do anything from fixing annoying colours to transforming your video into a psychedelic cartoon. The versatility of crop tools is also incredibly impressive, allowing you to crop your clip to different aspect ratios that can then be can be flipped and rotated, slowed down, reversed, and trimmed. Even if you decide on another more powerful editing app, the low cost and range of features of LumaFX makes it ideal for using in conjunction with your app of choice to produce the ultimate video content.
3. iMovie – Free
System: iOS
Every iOS user should be familiar with iMovie as it comes bundled on every apple device. Costing nothing is a big upside, especially when the technology handles as intuitively as it does. Splicing footage becomes laughably easy. On the audio side you can add music and personalised voiceovers to your videos and if you’re in the mood for something a little silly there are plenty of over the top TV templates and movie style themes. Accessibility is a big plus for iMovie, but it’s definitely geared to more casual users – professionals will find high end features lacking and should consider a more powerful paid alternative.
4. Adobe Premiere Clip - Free
System: Android, iOS
Another free offering, Adobe Premiere Clip shares many of both the benefits and flaws of iMovie. For the casual user its ideal, offering a straightforward means of arranging clips that’s predominantly designed for speed. The creative cloud allows you to continue editing on the desktop Premiere Pro making it a handy extension for existing Adobe customers. It’s also a much more compact download than iMovie; 91 MB compared to 600. There’s a standard array of editing features including trimming and a basic title editor, as well as the option to export options to social sharing sites of your choice, but unless you already work within the creative cloud there’s limited reasons to choose this over the superior iMovie.
There really is no beating PowerDirector for Android, but iOS users should be able to find an app or combination of apps to allow them to continue editing on the move.
Liza Brown
Liza Brown is a writer and a lover of all things video.
Follow @Liza Brown
Liza Brown
Mar 27, 2024• Proven solutions
Video editing was once exclusively the realm of the PC, but with the power of modern smartphones and tablets even professionals are more frequently editing on the go. This should come as no surprise as most of our photos and footage are stored on mobile devices, while apps like PowerDirector give the full functionality of a professional editing suite on mobile technology.
Currently PowerDirector is only available on Android, but if you’re using an iOS device you’re sadly missing out. Luckily there are several alternative apps that allow you to edit your footage from a mobile device; see our reviews below.
Best PowerDirector Alternatives for Android and iOS
1. Kinemaster - £2.91 per month
System: Android, iOS
Kinemaster is an impressive app that brings simplicity to complex professional editing tools, making it easy to use even on a small screen. It supports multiple layers including unlimited text, handwriting and sticker layers, as well as up to two video layers and four additional audio tracks. The precision editing features allow you edit frame by frame and it’s easy to quickly import extra footage and add additional effects. With a host of other features we haven’t mentioned it’s amazing how simple this app is. The only downside is the pricing model; instead of a one-off payment you’re saddled with £2.91 per month, an investment that could end up exceeding the value of the app.
2. LumaFX - £2.99
System: iOS
LumaFX is a treasure trove of editing effects and goodies, allowing you to completely change the look of your video. The colour and FX sections of the app have a variety of filters and presets that allow you to do anything from fixing annoying colours to transforming your video into a psychedelic cartoon. The versatility of crop tools is also incredibly impressive, allowing you to crop your clip to different aspect ratios that can then be can be flipped and rotated, slowed down, reversed, and trimmed. Even if you decide on another more powerful editing app, the low cost and range of features of LumaFX makes it ideal for using in conjunction with your app of choice to produce the ultimate video content.
3. iMovie – Free
System: iOS
Every iOS user should be familiar with iMovie as it comes bundled on every apple device. Costing nothing is a big upside, especially when the technology handles as intuitively as it does. Splicing footage becomes laughably easy. On the audio side you can add music and personalised voiceovers to your videos and if you’re in the mood for something a little silly there are plenty of over the top TV templates and movie style themes. Accessibility is a big plus for iMovie, but it’s definitely geared to more casual users – professionals will find high end features lacking and should consider a more powerful paid alternative.
4. Adobe Premiere Clip - Free
System: Android, iOS
Another free offering, Adobe Premiere Clip shares many of both the benefits and flaws of iMovie. For the casual user its ideal, offering a straightforward means of arranging clips that’s predominantly designed for speed. The creative cloud allows you to continue editing on the desktop Premiere Pro making it a handy extension for existing Adobe customers. It’s also a much more compact download than iMovie; 91 MB compared to 600. There’s a standard array of editing features including trimming and a basic title editor, as well as the option to export options to social sharing sites of your choice, but unless you already work within the creative cloud there’s limited reasons to choose this over the superior iMovie.
There really is no beating PowerDirector for Android, but iOS users should be able to find an app or combination of apps to allow them to continue editing on the move.
Liza Brown
Liza Brown is a writer and a lover of all things video.
Follow @Liza Brown
Liza Brown
Mar 27, 2024• Proven solutions
Video editing was once exclusively the realm of the PC, but with the power of modern smartphones and tablets even professionals are more frequently editing on the go. This should come as no surprise as most of our photos and footage are stored on mobile devices, while apps like PowerDirector give the full functionality of a professional editing suite on mobile technology.
Currently PowerDirector is only available on Android, but if you’re using an iOS device you’re sadly missing out. Luckily there are several alternative apps that allow you to edit your footage from a mobile device; see our reviews below.
Best PowerDirector Alternatives for Android and iOS
1. Kinemaster - £2.91 per month
System: Android, iOS
Kinemaster is an impressive app that brings simplicity to complex professional editing tools, making it easy to use even on a small screen. It supports multiple layers including unlimited text, handwriting and sticker layers, as well as up to two video layers and four additional audio tracks. The precision editing features allow you edit frame by frame and it’s easy to quickly import extra footage and add additional effects. With a host of other features we haven’t mentioned it’s amazing how simple this app is. The only downside is the pricing model; instead of a one-off payment you’re saddled with £2.91 per month, an investment that could end up exceeding the value of the app.
2. LumaFX - £2.99
System: iOS
LumaFX is a treasure trove of editing effects and goodies, allowing you to completely change the look of your video. The colour and FX sections of the app have a variety of filters and presets that allow you to do anything from fixing annoying colours to transforming your video into a psychedelic cartoon. The versatility of crop tools is also incredibly impressive, allowing you to crop your clip to different aspect ratios that can then be can be flipped and rotated, slowed down, reversed, and trimmed. Even if you decide on another more powerful editing app, the low cost and range of features of LumaFX makes it ideal for using in conjunction with your app of choice to produce the ultimate video content.
3. iMovie – Free
System: iOS
Every iOS user should be familiar with iMovie as it comes bundled on every apple device. Costing nothing is a big upside, especially when the technology handles as intuitively as it does. Splicing footage becomes laughably easy. On the audio side you can add music and personalised voiceovers to your videos and if you’re in the mood for something a little silly there are plenty of over the top TV templates and movie style themes. Accessibility is a big plus for iMovie, but it’s definitely geared to more casual users – professionals will find high end features lacking and should consider a more powerful paid alternative.
4. Adobe Premiere Clip - Free
System: Android, iOS
Another free offering, Adobe Premiere Clip shares many of both the benefits and flaws of iMovie. For the casual user its ideal, offering a straightforward means of arranging clips that’s predominantly designed for speed. The creative cloud allows you to continue editing on the desktop Premiere Pro making it a handy extension for existing Adobe customers. It’s also a much more compact download than iMovie; 91 MB compared to 600. There’s a standard array of editing features including trimming and a basic title editor, as well as the option to export options to social sharing sites of your choice, but unless you already work within the creative cloud there’s limited reasons to choose this over the superior iMovie.
There really is no beating PowerDirector for Android, but iOS users should be able to find an app or combination of apps to allow them to continue editing on the move.
Liza Brown
Liza Brown is a writer and a lover of all things video.
Follow @Liza Brown
Refine Your Footage: How to Stabilize Videos Like a Pro in AE
Stabilize Shaky Videos After Recording Easily
Wondershare Filmora is one of the most popular video editing software among YouTubers , which provides the video stabilization tool to remove shake from videos within one-click. Download and have a try now.
Video content is becoming increasingly popular; with the proliferation of online content, practically every product now needs its mini-documentary or video clip. Experienced filmmakers and VFX artists used to be the only ones who could get smooth footage. Those days, however, are over.
Adobe After Effects is an excellent tool for smoothing out video footage, in addition to being a great blending and motion animation software; although it’s usually preferable to maintain your film as seamless as possible on location, it’s not the end of the world if you take a seat to edit your video and decide it’s too shaky. In truth, there are several options available to you. In After Effects, there are three options for stabilizing footage. What are they – and how to use After Effects to stabilize footage? Let’s find out!
In this article
01 Stabilize Video with Built-in Warp Stabilizer in AE
02 Stabilize Shaky Video with Track Motion Feature in AE
03 Using Stabilization Plugins for Smoother Video in AE
Part 1: Stabilize Video with Built-in Warp Stabilizer in AE
The Warp Stabilizer effect is a new technique to cope with unsteady video. In this part, I will show you how to apply Warp Stabilizer to a layer, adjust the effect’s essential parameters, and demonstrate how they work briefly.
Step 1: The Warp Stabilizer is the most excellent built-in choice for After Effects. This may be found under the Distort tools section of the Effects & Presets panel. You may also go to the effects tab and look for “Warp“ in the search box.
Step 2: When you’ve identified Warp Stabilizer, you’ll have to add it to the layer you want to stabilize. You may accomplish this in one of three different ways. You may either drag and drop the filter into the chosen layer in the composing window, place it on the desired layer in the timeline, or double-tap on the effect while selecting your choice footage layer.
Step 3: Once you apply the warp stabilizer, it will start immediately. So now, all you have to do is lay back and let the stabilizer do its job.
(Note: The procedure should take no more than a few minutes, and a blue bar will appear across your composition window, indicating that the warp stabilizer is evaluating the film. The composition panel would then display an orange bar, indicating that the effect is applied).
Step 4: After stabilization, use the spacebar to begin a RAM peek. Choose the layer you added to and click to display the drop-down menu or go to the Effects Control panel whenever you need to tweak the stabilizing effect.
Part 2: Stabilize Shaky Video with Track Motion Feature in AE
Using Stabilize Motion feature to stabilize video is an old-school heritage function from the era of the Creative Suite, it will still be there in After Effects presently and performs admirably.
Step 1: The tracker panel is most likely open by default in your edition of After Effects, but if it isn’t, go to Window in the top menu to open it. Once you’ve arrived here, scroll to the bottom until you locate Tracker and double-check that it has a checkbox beside it.
Step 2: Select Stabilize Motion from the drop-down menu whenever the tracker panel is open. You’ll see that a tracker box appears in your Layer Panel once you’ve done this.
(Note: You’ll need to identify a proper location in your film for the tracker to operate at this stage. We’re monitoring a vehicle using a camera operator’s drone in the instance below).
Step 3: Let’s press the Play button on the tracker panel once we’ve set up the tracker box. The tracker box should adhere to the location or item you chose when you do this.
(Note: When your tracking points start to go astray, use the Pause button, personally modify the tracking point, and then push play to resume the journey).
Step 4: When the tracker is done and satisfied with the results, click Edit target to verify that the tracking data is transferred to the correct layer. Then proceed to the bottom of the page and click the Apply option.
(Note A dialogue window with choices for applying them. Usually, you’ll want to choose X and Y here).
Hit the spacebar to evaluate how well the stabilize motion tracker performed now when you’re back in the composition window. When you’re not pleased with the outcomes, you might have to go back to try again. Although this approach is best used for photos with a clear point of focus that doesn’t go out of frame, it could still be helpful in some situations.
Part 3: Using Stabilization Plugins for Smoother Video in AE
As a graphic and motion designer, animator, or 3D artist, After Effects plugins may completely change the way you operate. Since it can handle so much right out of the box, Adobe After Effects CC is already a go-to motion graphic and compositing program for many artists.
However, as with any good program, third-party plugins could only help you take your work to the next level by adding new features or streamlining your process.
It should be unsurprising that After Effects has many plugins for a program that is over 30 years old. Here are the best stabilization plugins for smoother video in AE:
1. Orb
Orb is focused on generating realistic planets and includes a range of unique features to make planetary creation easy. It utilizes a similar 3D engine to Video Copilot’s great Element 3D plugin, and it employs a similar 3D engine to Video Copilot’s outstanding Element 3D plugin.
You would believe that making planets in 3D is simple —create a circle, add textures, and you’re done! Getting a world to ‘look’ properly, on the other hand, might be more complicated than it appears.
For example, how can the line between night and day be altered in a model of a populated planet such that cities may be visible at night but not during the day?
Although Orb doesn’t work for every planetary picture, this would function for 90% of them and is a helpful previs tool. This is particularly true when used in conjunction with other After Effects plugins or paired with a 3D lens from a 3D program, which may be brought into After Effects with background plates for things like spacecraft.
2. Depth of Field Generator PRO (DOF PRO)
Richard Rosenman’s renowned Photoshop depth of field generator plugin, DOF PRO (Depth of Field Generator PRO), is now downloadable for After Effects. DOF PRO has become the industry’s professional option for an unprecedented and complex depth of field effects rapidly and effectively as a post-process.
This is thanks to almost a decade of discovery and application since the first launch in 2005. DOF PRO’s cutting-edge characteristics offer new and advanced technologies not found anywhere else, resulting in one of the industry’s most potent and sophisticated depth of field processors.
Capability for chromatic and achromatic aberration, focal plane bokeh distinction, astigmatism and vignetting effects, bespoke aperture maps, and noise recovery are among the advanced features.
There will also be compatibility with the alpha channel and transparency, 32-bit floating-point color, correct aperture displays, and an iris array display. A feature comparison between the plugin and After Effects’ Camera Lens Blur effect can be found here.
3. ReelSteady
ReelSteady for After Effects is a recent addition to the stabilization marketplace. ReelSteady is similar to After Effects’ warp stabilizer plugin. However, the stabilization in ReelSteady is far superior.
ReelSteady also has several other features that make it ideal for creating next-level tunes. Users may design filters to block off specific sections of your frame. This is useful for removing a subject that travels around the frame a lot.
In terms of performance, the After Effects plugin is pretty similar to the warp stabilizer but with a few more features. To begin with, ReelSteady includes a built-in rolling shutter repair tool that operates in tandem with its built-in stabilizer.
The ReelSteady effect is a two-pass effect. For instance, after the effect has been executed for the first time, you will likely wish to level out certain places. You’ll successfully isolate specific parts in the effect to “iron out” sections of the footage.
You would like to record your film at a more excellent resolution than your expected outcome to get the most out of ReelSteady. If you wish to output your video in 4K, you might capture it in 4.6K or 5K. You’ll have some leeway for ReelSteady to work its magic.
ReelSteady’s sole flaw is its high price ($399). ReelSteady is not available in After Effects, unlike some of the other choices on this list. ReelSteady, on the other hand, is the way to go if you would like the smoothest footage imaginable.
Conclusion
Shaky video footage would be the last thing any video creator wants unless it’s done intentionally for artistic or creative reasons. As a result, they employ methods and equipment to keep the camera safe from any undesired movement.
However, occasionally those tools aren’t available, and the outcome is questionable. That is why we decided to compile this article to add to the knowledge of our readers how they can use After Effects to stabilize videos to enhance their video content!
Video content is becoming increasingly popular; with the proliferation of online content, practically every product now needs its mini-documentary or video clip. Experienced filmmakers and VFX artists used to be the only ones who could get smooth footage. Those days, however, are over.
Adobe After Effects is an excellent tool for smoothing out video footage, in addition to being a great blending and motion animation software; although it’s usually preferable to maintain your film as seamless as possible on location, it’s not the end of the world if you take a seat to edit your video and decide it’s too shaky. In truth, there are several options available to you. In After Effects, there are three options for stabilizing footage. What are they – and how to use After Effects to stabilize footage? Let’s find out!
In this article
01 Stabilize Video with Built-in Warp Stabilizer in AE
02 Stabilize Shaky Video with Track Motion Feature in AE
03 Using Stabilization Plugins for Smoother Video in AE
Part 1: Stabilize Video with Built-in Warp Stabilizer in AE
The Warp Stabilizer effect is a new technique to cope with unsteady video. In this part, I will show you how to apply Warp Stabilizer to a layer, adjust the effect’s essential parameters, and demonstrate how they work briefly.
Step 1: The Warp Stabilizer is the most excellent built-in choice for After Effects. This may be found under the Distort tools section of the Effects & Presets panel. You may also go to the effects tab and look for “Warp“ in the search box.
Step 2: When you’ve identified Warp Stabilizer, you’ll have to add it to the layer you want to stabilize. You may accomplish this in one of three different ways. You may either drag and drop the filter into the chosen layer in the composing window, place it on the desired layer in the timeline, or double-tap on the effect while selecting your choice footage layer.
Step 3: Once you apply the warp stabilizer, it will start immediately. So now, all you have to do is lay back and let the stabilizer do its job.
(Note: The procedure should take no more than a few minutes, and a blue bar will appear across your composition window, indicating that the warp stabilizer is evaluating the film. The composition panel would then display an orange bar, indicating that the effect is applied).
Step 4: After stabilization, use the spacebar to begin a RAM peek. Choose the layer you added to and click to display the drop-down menu or go to the Effects Control panel whenever you need to tweak the stabilizing effect.
Part 2: Stabilize Shaky Video with Track Motion Feature in AE
Using Stabilize Motion feature to stabilize video is an old-school heritage function from the era of the Creative Suite, it will still be there in After Effects presently and performs admirably.
Step 1: The tracker panel is most likely open by default in your edition of After Effects, but if it isn’t, go to Window in the top menu to open it. Once you’ve arrived here, scroll to the bottom until you locate Tracker and double-check that it has a checkbox beside it.
Step 2: Select Stabilize Motion from the drop-down menu whenever the tracker panel is open. You’ll see that a tracker box appears in your Layer Panel once you’ve done this.
(Note: You’ll need to identify a proper location in your film for the tracker to operate at this stage. We’re monitoring a vehicle using a camera operator’s drone in the instance below).
Step 3: Let’s press the Play button on the tracker panel once we’ve set up the tracker box. The tracker box should adhere to the location or item you chose when you do this.
(Note: When your tracking points start to go astray, use the Pause button, personally modify the tracking point, and then push play to resume the journey).
Step 4: When the tracker is done and satisfied with the results, click Edit target to verify that the tracking data is transferred to the correct layer. Then proceed to the bottom of the page and click the Apply option.
(Note A dialogue window with choices for applying them. Usually, you’ll want to choose X and Y here).
Hit the spacebar to evaluate how well the stabilize motion tracker performed now when you’re back in the composition window. When you’re not pleased with the outcomes, you might have to go back to try again. Although this approach is best used for photos with a clear point of focus that doesn’t go out of frame, it could still be helpful in some situations.
Part 3: Using Stabilization Plugins for Smoother Video in AE
As a graphic and motion designer, animator, or 3D artist, After Effects plugins may completely change the way you operate. Since it can handle so much right out of the box, Adobe After Effects CC is already a go-to motion graphic and compositing program for many artists.
However, as with any good program, third-party plugins could only help you take your work to the next level by adding new features or streamlining your process.
It should be unsurprising that After Effects has many plugins for a program that is over 30 years old. Here are the best stabilization plugins for smoother video in AE:
1. Orb
Orb is focused on generating realistic planets and includes a range of unique features to make planetary creation easy. It utilizes a similar 3D engine to Video Copilot’s great Element 3D plugin, and it employs a similar 3D engine to Video Copilot’s outstanding Element 3D plugin.
You would believe that making planets in 3D is simple —create a circle, add textures, and you’re done! Getting a world to ‘look’ properly, on the other hand, might be more complicated than it appears.
For example, how can the line between night and day be altered in a model of a populated planet such that cities may be visible at night but not during the day?
Although Orb doesn’t work for every planetary picture, this would function for 90% of them and is a helpful previs tool. This is particularly true when used in conjunction with other After Effects plugins or paired with a 3D lens from a 3D program, which may be brought into After Effects with background plates for things like spacecraft.
2. Depth of Field Generator PRO (DOF PRO)
Richard Rosenman’s renowned Photoshop depth of field generator plugin, DOF PRO (Depth of Field Generator PRO), is now downloadable for After Effects. DOF PRO has become the industry’s professional option for an unprecedented and complex depth of field effects rapidly and effectively as a post-process.
This is thanks to almost a decade of discovery and application since the first launch in 2005. DOF PRO’s cutting-edge characteristics offer new and advanced technologies not found anywhere else, resulting in one of the industry’s most potent and sophisticated depth of field processors.
Capability for chromatic and achromatic aberration, focal plane bokeh distinction, astigmatism and vignetting effects, bespoke aperture maps, and noise recovery are among the advanced features.
There will also be compatibility with the alpha channel and transparency, 32-bit floating-point color, correct aperture displays, and an iris array display. A feature comparison between the plugin and After Effects’ Camera Lens Blur effect can be found here.
3. ReelSteady
ReelSteady for After Effects is a recent addition to the stabilization marketplace. ReelSteady is similar to After Effects’ warp stabilizer plugin. However, the stabilization in ReelSteady is far superior.
ReelSteady also has several other features that make it ideal for creating next-level tunes. Users may design filters to block off specific sections of your frame. This is useful for removing a subject that travels around the frame a lot.
In terms of performance, the After Effects plugin is pretty similar to the warp stabilizer but with a few more features. To begin with, ReelSteady includes a built-in rolling shutter repair tool that operates in tandem with its built-in stabilizer.
The ReelSteady effect is a two-pass effect. For instance, after the effect has been executed for the first time, you will likely wish to level out certain places. You’ll successfully isolate specific parts in the effect to “iron out” sections of the footage.
You would like to record your film at a more excellent resolution than your expected outcome to get the most out of ReelSteady. If you wish to output your video in 4K, you might capture it in 4.6K or 5K. You’ll have some leeway for ReelSteady to work its magic.
ReelSteady’s sole flaw is its high price ($399). ReelSteady is not available in After Effects, unlike some of the other choices on this list. ReelSteady, on the other hand, is the way to go if you would like the smoothest footage imaginable.
Conclusion
Shaky video footage would be the last thing any video creator wants unless it’s done intentionally for artistic or creative reasons. As a result, they employ methods and equipment to keep the camera safe from any undesired movement.
However, occasionally those tools aren’t available, and the outcome is questionable. That is why we decided to compile this article to add to the knowledge of our readers how they can use After Effects to stabilize videos to enhance their video content!
Video content is becoming increasingly popular; with the proliferation of online content, practically every product now needs its mini-documentary or video clip. Experienced filmmakers and VFX artists used to be the only ones who could get smooth footage. Those days, however, are over.
Adobe After Effects is an excellent tool for smoothing out video footage, in addition to being a great blending and motion animation software; although it’s usually preferable to maintain your film as seamless as possible on location, it’s not the end of the world if you take a seat to edit your video and decide it’s too shaky. In truth, there are several options available to you. In After Effects, there are three options for stabilizing footage. What are they – and how to use After Effects to stabilize footage? Let’s find out!
In this article
01 Stabilize Video with Built-in Warp Stabilizer in AE
02 Stabilize Shaky Video with Track Motion Feature in AE
03 Using Stabilization Plugins for Smoother Video in AE
Part 1: Stabilize Video with Built-in Warp Stabilizer in AE
The Warp Stabilizer effect is a new technique to cope with unsteady video. In this part, I will show you how to apply Warp Stabilizer to a layer, adjust the effect’s essential parameters, and demonstrate how they work briefly.
Step 1: The Warp Stabilizer is the most excellent built-in choice for After Effects. This may be found under the Distort tools section of the Effects & Presets panel. You may also go to the effects tab and look for “Warp“ in the search box.
Step 2: When you’ve identified Warp Stabilizer, you’ll have to add it to the layer you want to stabilize. You may accomplish this in one of three different ways. You may either drag and drop the filter into the chosen layer in the composing window, place it on the desired layer in the timeline, or double-tap on the effect while selecting your choice footage layer.
Step 3: Once you apply the warp stabilizer, it will start immediately. So now, all you have to do is lay back and let the stabilizer do its job.
(Note: The procedure should take no more than a few minutes, and a blue bar will appear across your composition window, indicating that the warp stabilizer is evaluating the film. The composition panel would then display an orange bar, indicating that the effect is applied).
Step 4: After stabilization, use the spacebar to begin a RAM peek. Choose the layer you added to and click to display the drop-down menu or go to the Effects Control panel whenever you need to tweak the stabilizing effect.
Part 2: Stabilize Shaky Video with Track Motion Feature in AE
Using Stabilize Motion feature to stabilize video is an old-school heritage function from the era of the Creative Suite, it will still be there in After Effects presently and performs admirably.
Step 1: The tracker panel is most likely open by default in your edition of After Effects, but if it isn’t, go to Window in the top menu to open it. Once you’ve arrived here, scroll to the bottom until you locate Tracker and double-check that it has a checkbox beside it.
Step 2: Select Stabilize Motion from the drop-down menu whenever the tracker panel is open. You’ll see that a tracker box appears in your Layer Panel once you’ve done this.
(Note: You’ll need to identify a proper location in your film for the tracker to operate at this stage. We’re monitoring a vehicle using a camera operator’s drone in the instance below).
Step 3: Let’s press the Play button on the tracker panel once we’ve set up the tracker box. The tracker box should adhere to the location or item you chose when you do this.
(Note: When your tracking points start to go astray, use the Pause button, personally modify the tracking point, and then push play to resume the journey).
Step 4: When the tracker is done and satisfied with the results, click Edit target to verify that the tracking data is transferred to the correct layer. Then proceed to the bottom of the page and click the Apply option.
(Note A dialogue window with choices for applying them. Usually, you’ll want to choose X and Y here).
Hit the spacebar to evaluate how well the stabilize motion tracker performed now when you’re back in the composition window. When you’re not pleased with the outcomes, you might have to go back to try again. Although this approach is best used for photos with a clear point of focus that doesn’t go out of frame, it could still be helpful in some situations.
Part 3: Using Stabilization Plugins for Smoother Video in AE
As a graphic and motion designer, animator, or 3D artist, After Effects plugins may completely change the way you operate. Since it can handle so much right out of the box, Adobe After Effects CC is already a go-to motion graphic and compositing program for many artists.
However, as with any good program, third-party plugins could only help you take your work to the next level by adding new features or streamlining your process.
It should be unsurprising that After Effects has many plugins for a program that is over 30 years old. Here are the best stabilization plugins for smoother video in AE:
1. Orb
Orb is focused on generating realistic planets and includes a range of unique features to make planetary creation easy. It utilizes a similar 3D engine to Video Copilot’s great Element 3D plugin, and it employs a similar 3D engine to Video Copilot’s outstanding Element 3D plugin.
You would believe that making planets in 3D is simple —create a circle, add textures, and you’re done! Getting a world to ‘look’ properly, on the other hand, might be more complicated than it appears.
For example, how can the line between night and day be altered in a model of a populated planet such that cities may be visible at night but not during the day?
Although Orb doesn’t work for every planetary picture, this would function for 90% of them and is a helpful previs tool. This is particularly true when used in conjunction with other After Effects plugins or paired with a 3D lens from a 3D program, which may be brought into After Effects with background plates for things like spacecraft.
2. Depth of Field Generator PRO (DOF PRO)
Richard Rosenman’s renowned Photoshop depth of field generator plugin, DOF PRO (Depth of Field Generator PRO), is now downloadable for After Effects. DOF PRO has become the industry’s professional option for an unprecedented and complex depth of field effects rapidly and effectively as a post-process.
This is thanks to almost a decade of discovery and application since the first launch in 2005. DOF PRO’s cutting-edge characteristics offer new and advanced technologies not found anywhere else, resulting in one of the industry’s most potent and sophisticated depth of field processors.
Capability for chromatic and achromatic aberration, focal plane bokeh distinction, astigmatism and vignetting effects, bespoke aperture maps, and noise recovery are among the advanced features.
There will also be compatibility with the alpha channel and transparency, 32-bit floating-point color, correct aperture displays, and an iris array display. A feature comparison between the plugin and After Effects’ Camera Lens Blur effect can be found here.
3. ReelSteady
ReelSteady for After Effects is a recent addition to the stabilization marketplace. ReelSteady is similar to After Effects’ warp stabilizer plugin. However, the stabilization in ReelSteady is far superior.
ReelSteady also has several other features that make it ideal for creating next-level tunes. Users may design filters to block off specific sections of your frame. This is useful for removing a subject that travels around the frame a lot.
In terms of performance, the After Effects plugin is pretty similar to the warp stabilizer but with a few more features. To begin with, ReelSteady includes a built-in rolling shutter repair tool that operates in tandem with its built-in stabilizer.
The ReelSteady effect is a two-pass effect. For instance, after the effect has been executed for the first time, you will likely wish to level out certain places. You’ll successfully isolate specific parts in the effect to “iron out” sections of the footage.
You would like to record your film at a more excellent resolution than your expected outcome to get the most out of ReelSteady. If you wish to output your video in 4K, you might capture it in 4.6K or 5K. You’ll have some leeway for ReelSteady to work its magic.
ReelSteady’s sole flaw is its high price ($399). ReelSteady is not available in After Effects, unlike some of the other choices on this list. ReelSteady, on the other hand, is the way to go if you would like the smoothest footage imaginable.
Conclusion
Shaky video footage would be the last thing any video creator wants unless it’s done intentionally for artistic or creative reasons. As a result, they employ methods and equipment to keep the camera safe from any undesired movement.
However, occasionally those tools aren’t available, and the outcome is questionable. That is why we decided to compile this article to add to the knowledge of our readers how they can use After Effects to stabilize videos to enhance their video content!
Video content is becoming increasingly popular; with the proliferation of online content, practically every product now needs its mini-documentary or video clip. Experienced filmmakers and VFX artists used to be the only ones who could get smooth footage. Those days, however, are over.
Adobe After Effects is an excellent tool for smoothing out video footage, in addition to being a great blending and motion animation software; although it’s usually preferable to maintain your film as seamless as possible on location, it’s not the end of the world if you take a seat to edit your video and decide it’s too shaky. In truth, there are several options available to you. In After Effects, there are three options for stabilizing footage. What are they – and how to use After Effects to stabilize footage? Let’s find out!
In this article
01 Stabilize Video with Built-in Warp Stabilizer in AE
02 Stabilize Shaky Video with Track Motion Feature in AE
03 Using Stabilization Plugins for Smoother Video in AE
Part 1: Stabilize Video with Built-in Warp Stabilizer in AE
The Warp Stabilizer effect is a new technique to cope with unsteady video. In this part, I will show you how to apply Warp Stabilizer to a layer, adjust the effect’s essential parameters, and demonstrate how they work briefly.
Step 1: The Warp Stabilizer is the most excellent built-in choice for After Effects. This may be found under the Distort tools section of the Effects & Presets panel. You may also go to the effects tab and look for “Warp“ in the search box.
Step 2: When you’ve identified Warp Stabilizer, you’ll have to add it to the layer you want to stabilize. You may accomplish this in one of three different ways. You may either drag and drop the filter into the chosen layer in the composing window, place it on the desired layer in the timeline, or double-tap on the effect while selecting your choice footage layer.
Step 3: Once you apply the warp stabilizer, it will start immediately. So now, all you have to do is lay back and let the stabilizer do its job.
(Note: The procedure should take no more than a few minutes, and a blue bar will appear across your composition window, indicating that the warp stabilizer is evaluating the film. The composition panel would then display an orange bar, indicating that the effect is applied).
Step 4: After stabilization, use the spacebar to begin a RAM peek. Choose the layer you added to and click to display the drop-down menu or go to the Effects Control panel whenever you need to tweak the stabilizing effect.
Part 2: Stabilize Shaky Video with Track Motion Feature in AE
Using Stabilize Motion feature to stabilize video is an old-school heritage function from the era of the Creative Suite, it will still be there in After Effects presently and performs admirably.
Step 1: The tracker panel is most likely open by default in your edition of After Effects, but if it isn’t, go to Window in the top menu to open it. Once you’ve arrived here, scroll to the bottom until you locate Tracker and double-check that it has a checkbox beside it.
Step 2: Select Stabilize Motion from the drop-down menu whenever the tracker panel is open. You’ll see that a tracker box appears in your Layer Panel once you’ve done this.
(Note: You’ll need to identify a proper location in your film for the tracker to operate at this stage. We’re monitoring a vehicle using a camera operator’s drone in the instance below).
Step 3: Let’s press the Play button on the tracker panel once we’ve set up the tracker box. The tracker box should adhere to the location or item you chose when you do this.
(Note: When your tracking points start to go astray, use the Pause button, personally modify the tracking point, and then push play to resume the journey).
Step 4: When the tracker is done and satisfied with the results, click Edit target to verify that the tracking data is transferred to the correct layer. Then proceed to the bottom of the page and click the Apply option.
(Note A dialogue window with choices for applying them. Usually, you’ll want to choose X and Y here).
Hit the spacebar to evaluate how well the stabilize motion tracker performed now when you’re back in the composition window. When you’re not pleased with the outcomes, you might have to go back to try again. Although this approach is best used for photos with a clear point of focus that doesn’t go out of frame, it could still be helpful in some situations.
Part 3: Using Stabilization Plugins for Smoother Video in AE
As a graphic and motion designer, animator, or 3D artist, After Effects plugins may completely change the way you operate. Since it can handle so much right out of the box, Adobe After Effects CC is already a go-to motion graphic and compositing program for many artists.
However, as with any good program, third-party plugins could only help you take your work to the next level by adding new features or streamlining your process.
It should be unsurprising that After Effects has many plugins for a program that is over 30 years old. Here are the best stabilization plugins for smoother video in AE:
1. Orb
Orb is focused on generating realistic planets and includes a range of unique features to make planetary creation easy. It utilizes a similar 3D engine to Video Copilot’s great Element 3D plugin, and it employs a similar 3D engine to Video Copilot’s outstanding Element 3D plugin.
You would believe that making planets in 3D is simple —create a circle, add textures, and you’re done! Getting a world to ‘look’ properly, on the other hand, might be more complicated than it appears.
For example, how can the line between night and day be altered in a model of a populated planet such that cities may be visible at night but not during the day?
Although Orb doesn’t work for every planetary picture, this would function for 90% of them and is a helpful previs tool. This is particularly true when used in conjunction with other After Effects plugins or paired with a 3D lens from a 3D program, which may be brought into After Effects with background plates for things like spacecraft.
2. Depth of Field Generator PRO (DOF PRO)
Richard Rosenman’s renowned Photoshop depth of field generator plugin, DOF PRO (Depth of Field Generator PRO), is now downloadable for After Effects. DOF PRO has become the industry’s professional option for an unprecedented and complex depth of field effects rapidly and effectively as a post-process.
This is thanks to almost a decade of discovery and application since the first launch in 2005. DOF PRO’s cutting-edge characteristics offer new and advanced technologies not found anywhere else, resulting in one of the industry’s most potent and sophisticated depth of field processors.
Capability for chromatic and achromatic aberration, focal plane bokeh distinction, astigmatism and vignetting effects, bespoke aperture maps, and noise recovery are among the advanced features.
There will also be compatibility with the alpha channel and transparency, 32-bit floating-point color, correct aperture displays, and an iris array display. A feature comparison between the plugin and After Effects’ Camera Lens Blur effect can be found here.
3. ReelSteady
ReelSteady for After Effects is a recent addition to the stabilization marketplace. ReelSteady is similar to After Effects’ warp stabilizer plugin. However, the stabilization in ReelSteady is far superior.
ReelSteady also has several other features that make it ideal for creating next-level tunes. Users may design filters to block off specific sections of your frame. This is useful for removing a subject that travels around the frame a lot.
In terms of performance, the After Effects plugin is pretty similar to the warp stabilizer but with a few more features. To begin with, ReelSteady includes a built-in rolling shutter repair tool that operates in tandem with its built-in stabilizer.
The ReelSteady effect is a two-pass effect. For instance, after the effect has been executed for the first time, you will likely wish to level out certain places. You’ll successfully isolate specific parts in the effect to “iron out” sections of the footage.
You would like to record your film at a more excellent resolution than your expected outcome to get the most out of ReelSteady. If you wish to output your video in 4K, you might capture it in 4.6K or 5K. You’ll have some leeway for ReelSteady to work its magic.
ReelSteady’s sole flaw is its high price ($399). ReelSteady is not available in After Effects, unlike some of the other choices on this list. ReelSteady, on the other hand, is the way to go if you would like the smoothest footage imaginable.
Conclusion
Shaky video footage would be the last thing any video creator wants unless it’s done intentionally for artistic or creative reasons. As a result, they employ methods and equipment to keep the camera safe from any undesired movement.
However, occasionally those tools aren’t available, and the outcome is questionable. That is why we decided to compile this article to add to the knowledge of our readers how they can use After Effects to stabilize videos to enhance their video content!
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- Title: Unwanted Sounds? Gone! Learn How to Remove Background Noise in FCP for 2024
- Author: MdadeLe
- Created at : 2024-06-16 02:27:17
- Updated at : 2024-06-17 02:27:17
- Link: https://smart-video-editing.techidaily.com/unwanted-sounds-gone-learn-how-to-remove-background-noise-in-fcp-for-2024/
- License: This work is licensed under CC BY-NC-SA 4.0.
