Free & Fabulous: Top 10 Online Video Enhancers for Better Quality

The above-discussed plugins had given you a better idea of the available resource at the online space to make a quick insertion of the desired timer on your videos at the FCPX platform. They are reliable and you can visit its official website to enjoy a flawless download.

Conclusion

Thus, you had an enlightening discussion on the tips and tricks associated with the countdown timer plugins. Add the timers conveniently on the videos using the FCPX quickly. The above discussed stepwise instructions will help you to insert the timers perfectly on the videos.

The customizable options enhance the overall appearance of the timers. Use the external plugins and make the right download that satisfies your needs. Design your timers creatively and persuade the viewers quickly. Connect with this article to learn more about the amazing facts on the video edits using the Final Cut Pro X application.

Liza Brown

Liza Brown is a writer and a lover of all things video.

Follow @Liza Brown

Liza Brown

Mar 27, 2024• Proven solutions

Part 1: Why a countdown timer is needed and when to clip one in?

Part 2: Step by step countdown timer adding tutorial

Part 3: Free and paid countdown timer plugins recommendation

Part 1: Why a countdown timer is needed and when to clip one in?

You can find the application of countdown timers on various platforms like

Email Marketing
Product Page
Checkout page
Website pages
On landing pages

Part 2: Step by step countdown timer adding tutorial

Step 1 In the FCPX application, go to the ‘Title’ option and add the Pixel Studio timers according to your requirement.

Step 3 You can work on the Properties Window at the right side of the screen, to make necessary changes to the countdown timers.

Vary the timer’s positions to insert animations, blur them, focus out.

In the Timer control attributes, you can find options to enter the start and stop times according to your needs.

You can flawlessly format the countdown timers using this property window.

Now, you can insert the timer on your project using the FCPX in no time. Simple drag and drop actions are sufficient to complete the entire process.

Part 3: Free and paid countdown timer plugins recommendation

Pixel Film Studio – Paid version of Timers

Time Pop- Free version of timers

Motion Array – Paid version

BretFX Clock Maker – Paid Version

Conclusion

Liza Brown

Liza Brown is a writer and a lover of all things video.

Follow @Liza Brown

Liza Brown

Mar 27, 2024• Proven solutions

Part 1: Why a countdown timer is needed and when to clip one in?

Part 2: Step by step countdown timer adding tutorial

Part 3: Free and paid countdown timer plugins recommendation

Part 1: Why a countdown timer is needed and when to clip one in?

You can find the application of countdown timers on various platforms like

Email Marketing
Product Page
Checkout page
Website pages
On landing pages

Part 2: Step by step countdown timer adding tutorial

Step 1 In the FCPX application, go to the ‘Title’ option and add the Pixel Studio timers according to your requirement.

Step 3 You can work on the Properties Window at the right side of the screen, to make necessary changes to the countdown timers.

Vary the timer’s positions to insert animations, blur them, focus out.

In the Timer control attributes, you can find options to enter the start and stop times according to your needs.

You can flawlessly format the countdown timers using this property window.

Now, you can insert the timer on your project using the FCPX in no time. Simple drag and drop actions are sufficient to complete the entire process.

Part 3: Free and paid countdown timer plugins recommendation

Pixel Film Studio – Paid version of Timers

Time Pop- Free version of timers

Motion Array – Paid version

BretFX Clock Maker – Paid Version

Conclusion

Liza Brown

Liza Brown is a writer and a lover of all things video.

Follow @Liza Brown

Liza Brown

Mar 27, 2024• Proven solutions

Part 1: Why a countdown timer is needed and when to clip one in?

Part 2: Step by step countdown timer adding tutorial

Part 3: Free and paid countdown timer plugins recommendation

Part 1: Why a countdown timer is needed and when to clip one in?

You can find the application of countdown timers on various platforms like

Email Marketing
Product Page
Checkout page
Website pages
On landing pages

Part 2: Step by step countdown timer adding tutorial

Step 1 In the FCPX application, go to the ‘Title’ option and add the Pixel Studio timers according to your requirement.

Step 3 You can work on the Properties Window at the right side of the screen, to make necessary changes to the countdown timers.

Vary the timer’s positions to insert animations, blur them, focus out.

In the Timer control attributes, you can find options to enter the start and stop times according to your needs.

You can flawlessly format the countdown timers using this property window.

Now, you can insert the timer on your project using the FCPX in no time. Simple drag and drop actions are sufficient to complete the entire process.

Part 3: Free and paid countdown timer plugins recommendation

Pixel Film Studio – Paid version of Timers

Time Pop- Free version of timers

Motion Array – Paid version

BretFX Clock Maker – Paid Version

Conclusion

Liza Brown

Liza Brown is a writer and a lover of all things video.

Follow @Liza Brown

Unleash the Power of Time: FCPX Freeze Frames and Slow Motion Tutorials

Final Cut Pro X: Freeze-Frames and Slow Motion

Benjamin Arango

Mar 27, 2024• Proven solutions

A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.

This article shows you how to do this using Final Cut Pro X.

For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.

Freeze-Frames and Slow Motion in Final Cut Pro X

1. STILL FRAMES

A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)

In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.

This creates a two-second freeze-frame at the position of the playhead.

Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.

In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.

Very cool, except….

Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.

So, here’s another way to do this.

Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.

This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.

Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.

As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.

I use both these techniques in many different projects.

2. HOLD FRAME

A Hold Frame is similar to an in-line still frame, but with more flexibility.

Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).

This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.

Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.

Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.

To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.

NOTE: Changing the source frame is a feature that I like a LOT!

3. SLOW (or FAST) MOTION

fast/slow motion

We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.

WE create either effect using the same tools, just different values. Here’s how.

Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).

Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)

create slow/fast motion

Three things happen at once:

The duration of the clip changes
The orange Retiming bar appears over the top of the clip
The speed of the clip changes

To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).

There are two ways to change the speed of a clip.

The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.

Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.

This opens a new dialog allowing a number of changes:

Reverse. Plays the clip in reverse.
Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.

You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.

4. EXTRA CREDIT

There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)

Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.

Normal. This is the best choice for speeds of 50% or faster.
Frame Blending. This is the best choice for speeds of about 20% to 50%.
Optical Flow. This is the best choice for speeds slower than about 20%.

Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.

Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.

This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.

Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )

SUMMARY

Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.

This article shows you how to do this using Final Cut Pro X.

For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.

Freeze-Frames and Slow Motion in Final Cut Pro X

1. STILL FRAMES

In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.

This creates a two-second freeze-frame at the position of the playhead.

Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.

Very cool, except….

Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.

So, here’s another way to do this.

Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.

This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.

Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.

I use both these techniques in many different projects.

2. HOLD FRAME

A Hold Frame is similar to an in-line still frame, but with more flexibility.

Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).

This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.

Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.

Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.

To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.

NOTE: Changing the source frame is a feature that I like a LOT!

3. SLOW (or FAST) MOTION

fast/slow motion

WE create either effect using the same tools, just different values. Here’s how.

Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).

Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)

create slow/fast motion

Three things happen at once:

The duration of the clip changes
The orange Retiming bar appears over the top of the clip
The speed of the clip changes

To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).

There are two ways to change the speed of a clip.

The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.

Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.

This opens a new dialog allowing a number of changes:

Reverse. Plays the clip in reverse.
Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.

You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.

4. EXTRA CREDIT

There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)

Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.

Normal. This is the best choice for speeds of 50% or faster.
Frame Blending. This is the best choice for speeds of about 20% to 50%.
Optical Flow. This is the best choice for speeds slower than about 20%.

Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.

Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )

SUMMARY

Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.

This article shows you how to do this using Final Cut Pro X.

For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.

Freeze-Frames and Slow Motion in Final Cut Pro X

1. STILL FRAMES

In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.

This creates a two-second freeze-frame at the position of the playhead.

Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.

Very cool, except….

Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.

So, here’s another way to do this.

Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.

This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.

Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.

I use both these techniques in many different projects.

2. HOLD FRAME

A Hold Frame is similar to an in-line still frame, but with more flexibility.

Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).

This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.

Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.

Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.

To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.

NOTE: Changing the source frame is a feature that I like a LOT!

3. SLOW (or FAST) MOTION

fast/slow motion

WE create either effect using the same tools, just different values. Here’s how.

Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).

Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)

create slow/fast motion

Three things happen at once:

The duration of the clip changes
The orange Retiming bar appears over the top of the clip
The speed of the clip changes

To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).

There are two ways to change the speed of a clip.

The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.

Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.

This opens a new dialog allowing a number of changes:

Reverse. Plays the clip in reverse.
Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.

You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.

4. EXTRA CREDIT

There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)

Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.

Normal. This is the best choice for speeds of 50% or faster.
Frame Blending. This is the best choice for speeds of about 20% to 50%.
Optical Flow. This is the best choice for speeds slower than about 20%.

Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.

Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )

SUMMARY

Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.

This article shows you how to do this using Final Cut Pro X.

For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.

Freeze-Frames and Slow Motion in Final Cut Pro X

1. STILL FRAMES

In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.

This creates a two-second freeze-frame at the position of the playhead.

Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.

Very cool, except….

Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.

So, here’s another way to do this.

Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.

This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.

Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.

I use both these techniques in many different projects.

2. HOLD FRAME

A Hold Frame is similar to an in-line still frame, but with more flexibility.

Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).

This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.

Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.

Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.

To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.

NOTE: Changing the source frame is a feature that I like a LOT!

3. SLOW (or FAST) MOTION

fast/slow motion

WE create either effect using the same tools, just different values. Here’s how.

Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).

Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)

create slow/fast motion

Three things happen at once:

The duration of the clip changes
The orange Retiming bar appears over the top of the clip
The speed of the clip changes

To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).

There are two ways to change the speed of a clip.

The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.

Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.

This opens a new dialog allowing a number of changes:

Reverse. Plays the clip in reverse.
Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.

You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.

4. EXTRA CREDIT

There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)

Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.

Normal. This is the best choice for speeds of 50% or faster.
Frame Blending. This is the best choice for speeds of about 20% to 50%.
Optical Flow. This is the best choice for speeds slower than about 20%.

Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.

Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )

SUMMARY

Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Top 4 Alternatives to Adobe Premiere Rush

Liza Brown

Mar 27, 2024• Proven solutions

Adobe have recently released their new multi-platform video editing tool named Adobe Rush . It promises to be the first of its type in the world, allowing hassle video editing and publishing to a multitude of platforms.

Dubbed the video editing tool for the YouTube generation, having been designed from the ground up for online video creators. Editing is simple via its suite of audio and visual tools, including title screens, transition effects and color adjustment tools. Export is optimized for all social platforms available, including Vimeo, Facebook, Twitter and Snapchat.

Despite the promise of the perfect video editing tool, it’s not been entirely warmly received. Some complain that the editing tools are just too basic, others that the price is uncompetitive. Other issues have been raised with slow rendering capabilities and general instability of the platform, causing crashes that can set projects back by hours.

We’re going to take a look at some of the alternatives to Adobe Rush out there, which may be more capable of getting the job done.

Shortages of Adobe Rush

System requirements

Devices	Requirements
PC	Windows 10 (v1709 or later)
8 GB of RAM
8 GB of available hard-disk space
Multicore processor with 64-bit support
Mac	macOS 10.13 or later
8 GB of RAM
8 GB of available hard-disk space
Multicore Intel processor with 64-bit support
iPhone/iPad	iOS 11 or later
iPhone 7 and newer (devices with A9 ARM chip or higher)
Android	Not available now

Windows users will need to be upgraded to the latest version of the operating system, at least version 1709 as a minimum. You’ll also need at least 8GB of RAM if you want to avoid the system crashing every time you use it.

Despite having computers that meet the required spec, numerous users have complained that Adobe Rush is buggy and repeatedly crashes. Some say that the laggy performance makes it almost impossible to use.

An alternative is to use Rush on your iPhone, but for this you’ll need to own at least an iPhone 7, preferably something newer. In testing, we found it to be very slow, even on an iPhone X. If you’re an Android user, you’ll need to wait to experience the ‘Rush’, because this software is not available for your handset yet. Adobe have said they are working on it and how to have it ready at some point in 2019.

Performance

As a video editing tool, it’s fairly competent, but for anything more than the basics, it’s somewhat lacking. Many of the most basic video editing tools are missing, and the platform supports only three transitions, so if you’re into making longer or more complex videos, its just not going to work.

In terms of rendering, we found it incredibly slow in comparison to some of the alternatives to Adobe Rush. The background music choices are pretty limited too, and most of it is not what you want accompanying your cutting-edge videos.

What really broke the deal for us was the inability to specify the output of your video files. This means that although social sharing could be OK, you’re going to be stuck if you want to share it in other locations. It’s great to see a video editing app on iPhone, but overall, it’s really nothing special.

Price

If you already subscribe to the Adobe Create Cloud (CC) suite, then Rush will be included in your subscription. However, if you want to subscribe to it as a standalone app, the price is $9.99 a month for individuals. This is not particularly competitive with the alternatives to Premier Rush, and could be prohibitively expensive for the hobbyist, which is, after all, the market Adobe are aiming at.

Alternatives to Adobe Rush for All Platforms

While Adobe are marketing Rush as a ‘cross platform’ video editor, there are alternatives to Premier Rush which do the job just as well, if not better, and often for a lot less.

1. For Windows - Wondershare Filmora

We love Wondershare Filmora as an alternative to Adobe Rush for Windows. Unlike Rush, you can pick and choose your video output format, as Filmora is compatible with all major video file types including mp4, FLV, MKV, AVI, MOV and more. Instead of being limited to a handful of basic effects, Filmora supports more than 300 high performance effects and filters to perfect your visual appeal.

Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )

As well as being a video editor, Filmora is a working audio editor too, featuring a full mixer and equalizer to bring your music and speech to life. There’re no transitional limitations, and you can even use green-screen technology, tilt-shift and jump cut features to make your videos pop.

Each video can use up to 99 timelines to make it easier to edit and customize your work. Finally, and a big plus for many of us, you don’t need to have the latest and best PC in order to use this software. Wondershare Filmora works on Windows 7, 8 and 10, and requires only 3GB of RAM. If you want to work in HD or 4K quality, however, you will need 8GB RAM.

2. For Mac - iMovie

iMovie is a powerful editing tool designed for iOS and perfect to use on a Mac. Using your own photos and videos, you can create polished movies complete with titles and even a credits roll. It’s great for turning memories into beautiful keepsakes, which can then be shared with family and friends via social media or direct from your Apple device.

Check this article to see thecomparison between Adobe Rush and Apple iMovie

The user-friendly interface makes it possible for even the most novice of users to harness the power of digital video editing. Complete with templates and easy to use tools, even beginners can make high quality trailers, logos and cinema like productions.

iMovie lets users access a number of special effects and enhancements, as well as ten filters to improve the images. Music can be chosen from their own library, and narrative voice overs are possible too. We think iMovie is one of the best alternatives to Adobe Rush available for Mac.

3. For Android - Filmora

As Rush is not yet available for the Android platform, users must look for alternatives to Premier Rush if they want to go ahead and start making movies. Filmora is a great solution, as powerful as most of the desktop editors you’ll come across and with all the features you need to get started.

Clips can be selected from your own device, or from Facebook or Google, and then added into your project folder to be created into a movie. They can then be arranged into a handy timeline, using simple drag and drop functionality which is easy for even beginners to master. There are even in-built themes which you can try out to turn your home movies into something special.

For switching between stills or video clips, there are a raft of fun transitions available to make it a more cohesive production. You can adjust colors, brightness, speed and more, as well as adding in subtitles and editing in music. One of the best features of this software is the picture-in-picture function, where you can add another video or still over the main one. It’s free and amazing fun, and we think one of the best alternatives to Adobe Rush for Android.

4. For iOS - LumaFusion

LumaFusion is a powerful multi track video editor which has been built for the mobile marketplace. It’s widely used by professional filmmakers and journalists, which is why we’ve picked it as one of the best alternatives to Premier Rush for iOS users.

It’s not the easiest app to get started with, but the creators have made a ton of tutorial videos to help you get to grips with it. Capability wise, it’s amazing, with up to three tracks for photos, videos, graphic and titles as well as an additional three audio tracks for narration, music and sound effects.

Video editing includes a wealth of special effects, from color correction tools to transitions, as well as an audio track mixer which can be adjusted on the fly. Title pages can be created, as well as adapting the speed and ratio of playback. Sharing the finished project can be done via social media, cloud storage, disk storage and more.

Conclusion

It’s great to see more software like Adobe Rush coming onto the market; however, it’s important to realize that, despite the hype, there may still be drawbacks to some of these systems. For us, Adobe Rush was exactly that something for editing videos in a rush. If you’re serious about making awesome clips though, investigating some of these alternatives to Adobe Rush.

Before you shell out the high subscription price for Adobe products, it’s worth considering what you really want from your software. Having some goals in mind will allow you to compare the different alternatives to Premier Rush to see where the best value for money lies.

Liza Brown

Liza Brown is a writer and a lover of all things video.

Follow @Liza Brown

Liza Brown

Mar 27, 2024• Proven solutions

We’re going to take a look at some of the alternatives to Adobe Rush out there, which may be more capable of getting the job done.

Shortages of Adobe Rush

System requirements

Devices	Requirements
PC	Windows 10 (v1709 or later)
8 GB of RAM
8 GB of available hard-disk space
Multicore processor with 64-bit support
Mac	macOS 10.13 or later
8 GB of RAM
8 GB of available hard-disk space
Multicore Intel processor with 64-bit support
iPhone/iPad	iOS 11 or later
iPhone 7 and newer (devices with A9 ARM chip or higher)
Android	Not available now

Performance

Price

Alternatives to Adobe Rush for All Platforms

While Adobe are marketing Rush as a ‘cross platform’ video editor, there are alternatives to Premier Rush which do the job just as well, if not better, and often for a lot less.

1. For Windows - Wondershare Filmora

Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )

2. For Mac - iMovie

Check this article to see thecomparison between Adobe Rush and Apple iMovie

3. For Android - Filmora

4. For iOS - LumaFusion

Conclusion

Liza Brown

Liza Brown is a writer and a lover of all things video.

Follow @Liza Brown

Liza Brown

Mar 27, 2024• Proven solutions

We’re going to take a look at some of the alternatives to Adobe Rush out there, which may be more capable of getting the job done.

Shortages of Adobe Rush

System requirements

Devices	Requirements
PC	Windows 10 (v1709 or later)
8 GB of RAM
8 GB of available hard-disk space
Multicore processor with 64-bit support
Mac	macOS 10.13 or later
8 GB of RAM
8 GB of available hard-disk space
Multicore Intel processor with 64-bit support
iPhone/iPad	iOS 11 or later
iPhone 7 and newer (devices with A9 ARM chip or higher)
Android	Not available now

Performance

Price

Alternatives to Adobe Rush for All Platforms

While Adobe are marketing Rush as a ‘cross platform’ video editor, there are alternatives to Premier Rush which do the job just as well, if not better, and often for a lot less.

1. For Windows - Wondershare Filmora

Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )

2. For Mac - iMovie

Check this article to see thecomparison between Adobe Rush and Apple iMovie

3. For Android - Filmora

4. For iOS - LumaFusion

Conclusion

Liza Brown

Liza Brown is a writer and a lover of all things video.

Follow @Liza Brown

Liza Brown

Mar 27, 2024• Proven solutions

We’re going to take a look at some of the alternatives to Adobe Rush out there, which may be more capable of getting the job done.

Shortages of Adobe Rush

System requirements

Devices	Requirements
PC	Windows 10 (v1709 or later)
8 GB of RAM
8 GB of available hard-disk space
Multicore processor with 64-bit support
Mac	macOS 10.13 or later
8 GB of RAM
8 GB of available hard-disk space
Multicore Intel processor with 64-bit support
iPhone/iPad	iOS 11 or later
iPhone 7 and newer (devices with A9 ARM chip or higher)
Android	Not available now

Performance

Price

Alternatives to Adobe Rush for All Platforms

While Adobe are marketing Rush as a ‘cross platform’ video editor, there are alternatives to Premier Rush which do the job just as well, if not better, and often for a lot less.

1. For Windows - Wondershare Filmora

Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )

2. For Mac - iMovie

Check this article to see thecomparison between Adobe Rush and Apple iMovie

3. For Android - Filmora

4. For iOS - LumaFusion

Conclusion

Liza Brown

Liza Brown is a writer and a lover of all things video.

Follow @Liza Brown

Smart Video Editing

New In 2024, Free & Fabulous Top 10 Online Video Enhancers for Better Quality

Free & Fabulous: Top 10 Online Video Enhancers for Better Quality

Top 9 Best Online Video Quality Enhancer for FREE

Ollie Mattison

Why Do You Need an AI Video Enhancer?

5 Free AI Video Enhancers [Software Options]

1.Wondershare Filmora - AI Video Enhancer

Features

Pros

Cons

2.AVCLabs Video Enhancer AI

Features

Pros

Cons

3.UniFab Video Enhancer

Features

Pros

Cons

4.Topaz Video Enhance AI

Features

Pros

Cons

5.HitPaw Video Enhancer

Features

Pros

Cons

Top 2 4K Video Enhancer Online Free Options

1.Cutout.Pro

Features

Pros

Cons

2.Clideo Video Enhancer

Features

Pros

Cons

How to Choose the Best Video Enhancer

1.Type of Content

2.Consider The Features You Need

3.Sharing Formats and Requirements

4.Your Budget

Conclusion

Ollie Mattison

Why Do You Need an AI Video Enhancer?

5 Free AI Video Enhancers [Software Options]

1.Wondershare Filmora - AI Video Enhancer

Features

Pros

Cons

2.AVCLabs Video Enhancer AI

Features

Pros

Cons

3.UniFab Video Enhancer

Features

Pros

Cons

4.Topaz Video Enhance AI

Features

Pros

Cons

5.HitPaw Video Enhancer

Features

Pros

Cons

Top 2 4K Video Enhancer Online Free Options

1.Cutout.Pro

Features

Pros

Cons

2.Clideo Video Enhancer

Features

Pros

Cons

How to Choose the Best Video Enhancer

1.Type of Content

2.Consider The Features You Need

3.Sharing Formats and Requirements

4.Your Budget

Conclusion