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New In 2024, FCPX Visual Storytelling Using Freeze Frames and Slow Motion for Impact
FCPX Visual Storytelling: Using Freeze Frames and Slow Motion for Impact
Final Cut Pro X: Freeze-Frames and Slow Motion
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Expert Insights: 5 Pro Tips for Getting the Most Out of Your 16X9 Ratio Calculator
5 Facts About 16x9 Ratio Calculator You Didn’t Know
An easy yet powerful editor
Numerous effects to choose from
Detailed tutorials provided by the official channel
This article explains major concepts about 16x9 ratio calculator and applies them even if you are a novice.
Read it to conclude the aspect ratio and the type of editing you need for your videos.
In this article
01 [What is Aspect Ratio?](#Part 1)
02 [What’s 16:9 Ratio Calculator?](#Part 2)
03 [Top 16:9 Resolutions](#Part 3)
04 [How to Calculate 16:9 Aspect Ratios?](#Part 4)
05 [How to Use Aspect Ratio Calculator?](#Part 5)
06 [How to Shift Through Aspect Ratio You Prefer in Filmora?](#Part 6)
Part 1 What is aspect ratio?
Aspect ratio is the proportionality ratio that relates between the width and height of the image. When you set your television screen, you often see something like 16:9 in the aspect ratio. These numbers are not related to the quality of the images whatsoever. They mean that the screen’s width will be almost twice as high as its height.
However, most television screens have an aspect ratio that looks like a square. The same does not apply to most cinema screens found in a hall. Thanks to the electricians who made those screens to be rectangular. That makes sure that you don’t miss out on any movie clip because of the low aspect ratio.
Initially, the aspect ratio mainly got restricted to Mathematical aspects like geometry. With time, the term got introduced in the films where it was used to relate the width and height of various images on screens, hence the16*9 aspect ratio calculator.
Usually, the aspect ratio refers to the long side concerning the shorter side of the shape. For example, it can be represented by two unknowns, x: y. The values do not mean much because numbers can substitute them.
Perhaps you have encountered these common aspect ratios: IMAX (1.43:1), Academy Film standard (1.43:1), and the famous golden video with an aspect ratio of 1.6180:1.
Having adequate knowledge about aspect ratios is of great importance. You will have to use an aspect ratio calculator when you want to resize your image to fit the specific location without cutting some sections.
Part 2 What is the 16:9 aspect ratio calculator?
The most significant similarity is the aspect ratio of 16:9. The 16:9 ratio dates back to 2009, when the ratio introduced was declared to be used globally. To prove it, take a minute and check the aspect ratios of your television screen or smartphone. Also, confirm the next time you go to the cinema to watch a movie.
You can take a beautiful photo with a nice image before posting on social media because of the 16:9 aspect ratio. Nowadays, this aspect ratio is a part of most screens and cameras. Even the HD videos always get recorded in the international format ratio.
The16 * 9 aspect ratiocalculator will help you operate correctly for high-quality images. It also helps in the conversion of inches to centimeters and vice versa. For a digital device, pixels are the most common units of images.
Part 3 Top 16:9 resolutions
These are the most common resolutions that are available. The units are in pixels, in descending order.
● 15360×8640 (16K UHD)
● 7680 × 4320 (8K UHD)
● 5120 × 2880 (5K)
● 3840 × 2160 (4K UHD)
● 3200 × 1800 (QHD+)
● 2560 × 1440 (QHD)
● 1920 × 1080 (Full HD)
● 1600 × 900 (HD+)
● 1366 × 768 (WXGA)
● 1280 × 720 (HD)
● 960 × 540 (qHD)
● 854 × 480 (FWVGA)
● 640 × 360 (nHD)
Part 4 How to calculate the 16:9 Aspect ratio?
First, let’s look at the correct pronunciation of the ratio. You can either say it as 16 by 9 or 16 × 9. It implies 16 units of the longest side for each shortest side. It could also mean 32 by 18 or higher values which can still simplify to 16:9. We can also represent the ratio differently when simplified. In this case, a decimal point separates the ratios. For example, 16:9 is represented as 1.78:1 after being simplified.
Earlier screens and monitors produced old ratios like the 4:3. After the recognition of the 16:9 ratios, have made replacements for them. The16*9 ratio calculatoris also the most common. Have you heard of 720p HD, 1080p HD, and others? All of them are still under the 16:9 ratios but expressed differently. For example, a screen of 1920 × 1080p. Check it out here: 2920/1080 equals 16:9.
First, here’s the formula that we will use in this section.
Width (W) /Height (H) = 1.778
Dividing the width and height gives you 1.778, which is still an aspect ratio of 16:9.
1.778 is a constant in the formula that you can use interchangeably to determine the width or height. Here is a couple of examples to illustrate this.
Example 1:
Ben’s video measures 32 panels wide. Find the number of panels he needs to build a 26:9 display.
W/H = 16/9
32/H = 16/9
H =32 × 9/16
H = 18
Therefore, Ben will need 18 panels to install the display unit.
Example 2
Nancy decides to design an image for a post in the ratio 16:9. If it has 720 pixels, calculate the width of the image needed.
W/H = 19/6
W/720 = 19/6
W = 730 × 19/6
Nancy will need 1280 pixels for her image.
Part 5 How to use an aspect ratio calculator?
These calculations may be easy when you’re used to them. Not interested in many calculations? Use the online aspect ratio calculator instead. That will make it easier and save on time. You will only need to have the width and height of the image that if needed. The 16 *9 ratio calculator will give the remaining distance.
Using the calculator is the most preferred method because it is very precise. Supposing you don’t have any idea about the width or height of your image, just key in the aspect ratio and wait for an instant answer. The aspect ratio will still give the same answer, but the calculator is convenient.
The better part, this calculator provides calculations for landscape and portrait orientation for images. Follow these steps to use the calculator:
Step 1: Go to https://insaneimpact.com/aspect-ratio-calculator/
Step 2: Enter units of width and height in the respective tabs provided and instantly get your aspect ratio.
Part 6 How to shift through aspect ratio you prefer in Filmora?
As you edit videos, adjust them to ensure they fit in an email as an attachment. That will help you upload them easily after you have used some video editing tools. This article elaborates more by using Wondershare Filmora.
Here’s why we recommend Wondershare Filmora Video Editor
The obvious reason is many features that will help you edit the video like a pro. For instance, you can resize, zoom and highlight the best parts of the video. These are some features of Wondershare Filmora’s video editing capabilities.
● Effortlessly resize the sizes of videos and aspect ratios
● Cropping the video to highlight an object
● Addition of effects and more videos
● Uploading edited videos online
● Supports diverse operating systems for smartphones and desktops
Navigating Through Various Aspect Ratios Using Wondershare Filmora
Wondershare Filmora - Best Video Editor for Mac/Windows
5,481,435 people have downloaded it.
Build unique custom animations without breaking a sweat.
Focus on creating epic stories and leave the details to Filmora’s auto features.
Start a creative adventure with drag & drop effects and endless possibilities.
Filmora simplifies advanced features to save you time and effort.
Filmora cuts out repetition so you can move on to your next creative breakthrough.
Different social media platforms will only allow users to upload videos of specified sizes. Therefore, it is imperative to know the right size for your videos. Let me take you through ways of changing an aspect ratio for the image to have the required height and width.
Step 1: Select your projects’ aspect ratio.
Upon opening Wondershare Filmora, a window will pop up on the screen to allow you to select the aspect ratio. There are three options to choose widescreen, standard, and portrait with aspect ratios of 16:9, 4:3, and 1.1, respectively. select the one that you require and click “New Project.”
Step 2: Set the new aspect ratio for the project
Go to File, choose a new project, and then aspect ratio in the editing panel. Please select the one you wish to use and alter it according to your desired format. For instance, you can select a video of 16:9 and reduce it to 1:1.
Step 3: Save the video
Select “Export” to export the video and save it in different formats in the Format tab. Do you feel like playing the video on your phone or any other device? Please move to the device tab and ply it on your smartphone or transfer it into a DVD drive format.
Filmora also provides more advanced features for video editing like rotating, cropping, and scaling. You can also match the colors on your videos, include animations, add effects, track the sounds and even record some background sounds for the video to look good. Go ahead and download for a free trial below to start editing your videos!
Key Takeaways from This Episode
● 1 – A detailed overview of the aspect ratio and aspect ratio calculator.
● 2 – Understanding how to calculate aspect ratios manually and through an aspect ratio calculator.
● 3 – Navigation through different aspect ratios via the wonderful editor, i.e., Wondershare Filmora.
● Finally, a16×9 aspect ratio calculatoris simple to use, provided you follow the steps given. However, an online calculator will make your videos fit in the equipped area. Use Wondershare Filmora for easy editing and changing of the aspect ratio. It is a pro image and video editor and the easiest to use. Start with its trial version by downloading it for free.
This article explains major concepts about 16x9 ratio calculator and applies them even if you are a novice.
Read it to conclude the aspect ratio and the type of editing you need for your videos.
In this article
01 [What is Aspect Ratio?](#Part 1)
02 [What’s 16:9 Ratio Calculator?](#Part 2)
03 [Top 16:9 Resolutions](#Part 3)
04 [How to Calculate 16:9 Aspect Ratios?](#Part 4)
05 [How to Use Aspect Ratio Calculator?](#Part 5)
06 [How to Shift Through Aspect Ratio You Prefer in Filmora?](#Part 6)
Part 1 What is aspect ratio?
Aspect ratio is the proportionality ratio that relates between the width and height of the image. When you set your television screen, you often see something like 16:9 in the aspect ratio. These numbers are not related to the quality of the images whatsoever. They mean that the screen’s width will be almost twice as high as its height.
However, most television screens have an aspect ratio that looks like a square. The same does not apply to most cinema screens found in a hall. Thanks to the electricians who made those screens to be rectangular. That makes sure that you don’t miss out on any movie clip because of the low aspect ratio.
Initially, the aspect ratio mainly got restricted to Mathematical aspects like geometry. With time, the term got introduced in the films where it was used to relate the width and height of various images on screens, hence the16*9 aspect ratio calculator.
Usually, the aspect ratio refers to the long side concerning the shorter side of the shape. For example, it can be represented by two unknowns, x: y. The values do not mean much because numbers can substitute them.
Perhaps you have encountered these common aspect ratios: IMAX (1.43:1), Academy Film standard (1.43:1), and the famous golden video with an aspect ratio of 1.6180:1.
Having adequate knowledge about aspect ratios is of great importance. You will have to use an aspect ratio calculator when you want to resize your image to fit the specific location without cutting some sections.
Part 2 What is the 16:9 aspect ratio calculator?
The most significant similarity is the aspect ratio of 16:9. The 16:9 ratio dates back to 2009, when the ratio introduced was declared to be used globally. To prove it, take a minute and check the aspect ratios of your television screen or smartphone. Also, confirm the next time you go to the cinema to watch a movie.
You can take a beautiful photo with a nice image before posting on social media because of the 16:9 aspect ratio. Nowadays, this aspect ratio is a part of most screens and cameras. Even the HD videos always get recorded in the international format ratio.
The16 * 9 aspect ratiocalculator will help you operate correctly for high-quality images. It also helps in the conversion of inches to centimeters and vice versa. For a digital device, pixels are the most common units of images.
Part 3 Top 16:9 resolutions
These are the most common resolutions that are available. The units are in pixels, in descending order.
● 15360×8640 (16K UHD)
● 7680 × 4320 (8K UHD)
● 5120 × 2880 (5K)
● 3840 × 2160 (4K UHD)
● 3200 × 1800 (QHD+)
● 2560 × 1440 (QHD)
● 1920 × 1080 (Full HD)
● 1600 × 900 (HD+)
● 1366 × 768 (WXGA)
● 1280 × 720 (HD)
● 960 × 540 (qHD)
● 854 × 480 (FWVGA)
● 640 × 360 (nHD)
Part 4 How to calculate the 16:9 Aspect ratio?
First, let’s look at the correct pronunciation of the ratio. You can either say it as 16 by 9 or 16 × 9. It implies 16 units of the longest side for each shortest side. It could also mean 32 by 18 or higher values which can still simplify to 16:9. We can also represent the ratio differently when simplified. In this case, a decimal point separates the ratios. For example, 16:9 is represented as 1.78:1 after being simplified.
Earlier screens and monitors produced old ratios like the 4:3. After the recognition of the 16:9 ratios, have made replacements for them. The16*9 ratio calculatoris also the most common. Have you heard of 720p HD, 1080p HD, and others? All of them are still under the 16:9 ratios but expressed differently. For example, a screen of 1920 × 1080p. Check it out here: 2920/1080 equals 16:9.
First, here’s the formula that we will use in this section.
Width (W) /Height (H) = 1.778
Dividing the width and height gives you 1.778, which is still an aspect ratio of 16:9.
1.778 is a constant in the formula that you can use interchangeably to determine the width or height. Here is a couple of examples to illustrate this.
Example 1:
Ben’s video measures 32 panels wide. Find the number of panels he needs to build a 26:9 display.
W/H = 16/9
32/H = 16/9
H =32 × 9/16
H = 18
Therefore, Ben will need 18 panels to install the display unit.
Example 2
Nancy decides to design an image for a post in the ratio 16:9. If it has 720 pixels, calculate the width of the image needed.
W/H = 19/6
W/720 = 19/6
W = 730 × 19/6
Nancy will need 1280 pixels for her image.
Part 5 How to use an aspect ratio calculator?
These calculations may be easy when you’re used to them. Not interested in many calculations? Use the online aspect ratio calculator instead. That will make it easier and save on time. You will only need to have the width and height of the image that if needed. The 16 *9 ratio calculator will give the remaining distance.
Using the calculator is the most preferred method because it is very precise. Supposing you don’t have any idea about the width or height of your image, just key in the aspect ratio and wait for an instant answer. The aspect ratio will still give the same answer, but the calculator is convenient.
The better part, this calculator provides calculations for landscape and portrait orientation for images. Follow these steps to use the calculator:
Step 1: Go to https://insaneimpact.com/aspect-ratio-calculator/
Step 2: Enter units of width and height in the respective tabs provided and instantly get your aspect ratio.
Part 6 How to shift through aspect ratio you prefer in Filmora?
As you edit videos, adjust them to ensure they fit in an email as an attachment. That will help you upload them easily after you have used some video editing tools. This article elaborates more by using Wondershare Filmora.
Here’s why we recommend Wondershare Filmora Video Editor
The obvious reason is many features that will help you edit the video like a pro. For instance, you can resize, zoom and highlight the best parts of the video. These are some features of Wondershare Filmora’s video editing capabilities.
● Effortlessly resize the sizes of videos and aspect ratios
● Cropping the video to highlight an object
● Addition of effects and more videos
● Uploading edited videos online
● Supports diverse operating systems for smartphones and desktops
Navigating Through Various Aspect Ratios Using Wondershare Filmora
Wondershare Filmora - Best Video Editor for Mac/Windows
5,481,435 people have downloaded it.
Build unique custom animations without breaking a sweat.
Focus on creating epic stories and leave the details to Filmora’s auto features.
Start a creative adventure with drag & drop effects and endless possibilities.
Filmora simplifies advanced features to save you time and effort.
Filmora cuts out repetition so you can move on to your next creative breakthrough.
Different social media platforms will only allow users to upload videos of specified sizes. Therefore, it is imperative to know the right size for your videos. Let me take you through ways of changing an aspect ratio for the image to have the required height and width.
Step 1: Select your projects’ aspect ratio.
Upon opening Wondershare Filmora, a window will pop up on the screen to allow you to select the aspect ratio. There are three options to choose widescreen, standard, and portrait with aspect ratios of 16:9, 4:3, and 1.1, respectively. select the one that you require and click “New Project.”
Step 2: Set the new aspect ratio for the project
Go to File, choose a new project, and then aspect ratio in the editing panel. Please select the one you wish to use and alter it according to your desired format. For instance, you can select a video of 16:9 and reduce it to 1:1.
Step 3: Save the video
Select “Export” to export the video and save it in different formats in the Format tab. Do you feel like playing the video on your phone or any other device? Please move to the device tab and ply it on your smartphone or transfer it into a DVD drive format.
Filmora also provides more advanced features for video editing like rotating, cropping, and scaling. You can also match the colors on your videos, include animations, add effects, track the sounds and even record some background sounds for the video to look good. Go ahead and download for a free trial below to start editing your videos!
Key Takeaways from This Episode
● 1 – A detailed overview of the aspect ratio and aspect ratio calculator.
● 2 – Understanding how to calculate aspect ratios manually and through an aspect ratio calculator.
● 3 – Navigation through different aspect ratios via the wonderful editor, i.e., Wondershare Filmora.
● Finally, a16×9 aspect ratio calculatoris simple to use, provided you follow the steps given. However, an online calculator will make your videos fit in the equipped area. Use Wondershare Filmora for easy editing and changing of the aspect ratio. It is a pro image and video editor and the easiest to use. Start with its trial version by downloading it for free.
This article explains major concepts about 16x9 ratio calculator and applies them even if you are a novice.
Read it to conclude the aspect ratio and the type of editing you need for your videos.
In this article
01 [What is Aspect Ratio?](#Part 1)
02 [What’s 16:9 Ratio Calculator?](#Part 2)
03 [Top 16:9 Resolutions](#Part 3)
04 [How to Calculate 16:9 Aspect Ratios?](#Part 4)
05 [How to Use Aspect Ratio Calculator?](#Part 5)
06 [How to Shift Through Aspect Ratio You Prefer in Filmora?](#Part 6)
Part 1 What is aspect ratio?
Aspect ratio is the proportionality ratio that relates between the width and height of the image. When you set your television screen, you often see something like 16:9 in the aspect ratio. These numbers are not related to the quality of the images whatsoever. They mean that the screen’s width will be almost twice as high as its height.
However, most television screens have an aspect ratio that looks like a square. The same does not apply to most cinema screens found in a hall. Thanks to the electricians who made those screens to be rectangular. That makes sure that you don’t miss out on any movie clip because of the low aspect ratio.
Initially, the aspect ratio mainly got restricted to Mathematical aspects like geometry. With time, the term got introduced in the films where it was used to relate the width and height of various images on screens, hence the16*9 aspect ratio calculator.
Usually, the aspect ratio refers to the long side concerning the shorter side of the shape. For example, it can be represented by two unknowns, x: y. The values do not mean much because numbers can substitute them.
Perhaps you have encountered these common aspect ratios: IMAX (1.43:1), Academy Film standard (1.43:1), and the famous golden video with an aspect ratio of 1.6180:1.
Having adequate knowledge about aspect ratios is of great importance. You will have to use an aspect ratio calculator when you want to resize your image to fit the specific location without cutting some sections.
Part 2 What is the 16:9 aspect ratio calculator?
The most significant similarity is the aspect ratio of 16:9. The 16:9 ratio dates back to 2009, when the ratio introduced was declared to be used globally. To prove it, take a minute and check the aspect ratios of your television screen or smartphone. Also, confirm the next time you go to the cinema to watch a movie.
You can take a beautiful photo with a nice image before posting on social media because of the 16:9 aspect ratio. Nowadays, this aspect ratio is a part of most screens and cameras. Even the HD videos always get recorded in the international format ratio.
The16 * 9 aspect ratiocalculator will help you operate correctly for high-quality images. It also helps in the conversion of inches to centimeters and vice versa. For a digital device, pixels are the most common units of images.
Part 3 Top 16:9 resolutions
These are the most common resolutions that are available. The units are in pixels, in descending order.
● 15360×8640 (16K UHD)
● 7680 × 4320 (8K UHD)
● 5120 × 2880 (5K)
● 3840 × 2160 (4K UHD)
● 3200 × 1800 (QHD+)
● 2560 × 1440 (QHD)
● 1920 × 1080 (Full HD)
● 1600 × 900 (HD+)
● 1366 × 768 (WXGA)
● 1280 × 720 (HD)
● 960 × 540 (qHD)
● 854 × 480 (FWVGA)
● 640 × 360 (nHD)
Part 4 How to calculate the 16:9 Aspect ratio?
First, let’s look at the correct pronunciation of the ratio. You can either say it as 16 by 9 or 16 × 9. It implies 16 units of the longest side for each shortest side. It could also mean 32 by 18 or higher values which can still simplify to 16:9. We can also represent the ratio differently when simplified. In this case, a decimal point separates the ratios. For example, 16:9 is represented as 1.78:1 after being simplified.
Earlier screens and monitors produced old ratios like the 4:3. After the recognition of the 16:9 ratios, have made replacements for them. The16*9 ratio calculatoris also the most common. Have you heard of 720p HD, 1080p HD, and others? All of them are still under the 16:9 ratios but expressed differently. For example, a screen of 1920 × 1080p. Check it out here: 2920/1080 equals 16:9.
First, here’s the formula that we will use in this section.
Width (W) /Height (H) = 1.778
Dividing the width and height gives you 1.778, which is still an aspect ratio of 16:9.
1.778 is a constant in the formula that you can use interchangeably to determine the width or height. Here is a couple of examples to illustrate this.
Example 1:
Ben’s video measures 32 panels wide. Find the number of panels he needs to build a 26:9 display.
W/H = 16/9
32/H = 16/9
H =32 × 9/16
H = 18
Therefore, Ben will need 18 panels to install the display unit.
Example 2
Nancy decides to design an image for a post in the ratio 16:9. If it has 720 pixels, calculate the width of the image needed.
W/H = 19/6
W/720 = 19/6
W = 730 × 19/6
Nancy will need 1280 pixels for her image.
Part 5 How to use an aspect ratio calculator?
These calculations may be easy when you’re used to them. Not interested in many calculations? Use the online aspect ratio calculator instead. That will make it easier and save on time. You will only need to have the width and height of the image that if needed. The 16 *9 ratio calculator will give the remaining distance.
Using the calculator is the most preferred method because it is very precise. Supposing you don’t have any idea about the width or height of your image, just key in the aspect ratio and wait for an instant answer. The aspect ratio will still give the same answer, but the calculator is convenient.
The better part, this calculator provides calculations for landscape and portrait orientation for images. Follow these steps to use the calculator:
Step 1: Go to https://insaneimpact.com/aspect-ratio-calculator/
Step 2: Enter units of width and height in the respective tabs provided and instantly get your aspect ratio.
Part 6 How to shift through aspect ratio you prefer in Filmora?
As you edit videos, adjust them to ensure they fit in an email as an attachment. That will help you upload them easily after you have used some video editing tools. This article elaborates more by using Wondershare Filmora.
Here’s why we recommend Wondershare Filmora Video Editor
The obvious reason is many features that will help you edit the video like a pro. For instance, you can resize, zoom and highlight the best parts of the video. These are some features of Wondershare Filmora’s video editing capabilities.
● Effortlessly resize the sizes of videos and aspect ratios
● Cropping the video to highlight an object
● Addition of effects and more videos
● Uploading edited videos online
● Supports diverse operating systems for smartphones and desktops
Navigating Through Various Aspect Ratios Using Wondershare Filmora
Wondershare Filmora - Best Video Editor for Mac/Windows
5,481,435 people have downloaded it.
Build unique custom animations without breaking a sweat.
Focus on creating epic stories and leave the details to Filmora’s auto features.
Start a creative adventure with drag & drop effects and endless possibilities.
Filmora simplifies advanced features to save you time and effort.
Filmora cuts out repetition so you can move on to your next creative breakthrough.
Different social media platforms will only allow users to upload videos of specified sizes. Therefore, it is imperative to know the right size for your videos. Let me take you through ways of changing an aspect ratio for the image to have the required height and width.
Step 1: Select your projects’ aspect ratio.
Upon opening Wondershare Filmora, a window will pop up on the screen to allow you to select the aspect ratio. There are three options to choose widescreen, standard, and portrait with aspect ratios of 16:9, 4:3, and 1.1, respectively. select the one that you require and click “New Project.”
Step 2: Set the new aspect ratio for the project
Go to File, choose a new project, and then aspect ratio in the editing panel. Please select the one you wish to use and alter it according to your desired format. For instance, you can select a video of 16:9 and reduce it to 1:1.
Step 3: Save the video
Select “Export” to export the video and save it in different formats in the Format tab. Do you feel like playing the video on your phone or any other device? Please move to the device tab and ply it on your smartphone or transfer it into a DVD drive format.
Filmora also provides more advanced features for video editing like rotating, cropping, and scaling. You can also match the colors on your videos, include animations, add effects, track the sounds and even record some background sounds for the video to look good. Go ahead and download for a free trial below to start editing your videos!
Key Takeaways from This Episode
● 1 – A detailed overview of the aspect ratio and aspect ratio calculator.
● 2 – Understanding how to calculate aspect ratios manually and through an aspect ratio calculator.
● 3 – Navigation through different aspect ratios via the wonderful editor, i.e., Wondershare Filmora.
● Finally, a16×9 aspect ratio calculatoris simple to use, provided you follow the steps given. However, an online calculator will make your videos fit in the equipped area. Use Wondershare Filmora for easy editing and changing of the aspect ratio. It is a pro image and video editor and the easiest to use. Start with its trial version by downloading it for free.
This article explains major concepts about 16x9 ratio calculator and applies them even if you are a novice.
Read it to conclude the aspect ratio and the type of editing you need for your videos.
In this article
01 [What is Aspect Ratio?](#Part 1)
02 [What’s 16:9 Ratio Calculator?](#Part 2)
03 [Top 16:9 Resolutions](#Part 3)
04 [How to Calculate 16:9 Aspect Ratios?](#Part 4)
05 [How to Use Aspect Ratio Calculator?](#Part 5)
06 [How to Shift Through Aspect Ratio You Prefer in Filmora?](#Part 6)
Part 1 What is aspect ratio?
Aspect ratio is the proportionality ratio that relates between the width and height of the image. When you set your television screen, you often see something like 16:9 in the aspect ratio. These numbers are not related to the quality of the images whatsoever. They mean that the screen’s width will be almost twice as high as its height.
However, most television screens have an aspect ratio that looks like a square. The same does not apply to most cinema screens found in a hall. Thanks to the electricians who made those screens to be rectangular. That makes sure that you don’t miss out on any movie clip because of the low aspect ratio.
Initially, the aspect ratio mainly got restricted to Mathematical aspects like geometry. With time, the term got introduced in the films where it was used to relate the width and height of various images on screens, hence the16*9 aspect ratio calculator.
Usually, the aspect ratio refers to the long side concerning the shorter side of the shape. For example, it can be represented by two unknowns, x: y. The values do not mean much because numbers can substitute them.
Perhaps you have encountered these common aspect ratios: IMAX (1.43:1), Academy Film standard (1.43:1), and the famous golden video with an aspect ratio of 1.6180:1.
Having adequate knowledge about aspect ratios is of great importance. You will have to use an aspect ratio calculator when you want to resize your image to fit the specific location without cutting some sections.
Part 2 What is the 16:9 aspect ratio calculator?
The most significant similarity is the aspect ratio of 16:9. The 16:9 ratio dates back to 2009, when the ratio introduced was declared to be used globally. To prove it, take a minute and check the aspect ratios of your television screen or smartphone. Also, confirm the next time you go to the cinema to watch a movie.
You can take a beautiful photo with a nice image before posting on social media because of the 16:9 aspect ratio. Nowadays, this aspect ratio is a part of most screens and cameras. Even the HD videos always get recorded in the international format ratio.
The16 * 9 aspect ratiocalculator will help you operate correctly for high-quality images. It also helps in the conversion of inches to centimeters and vice versa. For a digital device, pixels are the most common units of images.
Part 3 Top 16:9 resolutions
These are the most common resolutions that are available. The units are in pixels, in descending order.
● 15360×8640 (16K UHD)
● 7680 × 4320 (8K UHD)
● 5120 × 2880 (5K)
● 3840 × 2160 (4K UHD)
● 3200 × 1800 (QHD+)
● 2560 × 1440 (QHD)
● 1920 × 1080 (Full HD)
● 1600 × 900 (HD+)
● 1366 × 768 (WXGA)
● 1280 × 720 (HD)
● 960 × 540 (qHD)
● 854 × 480 (FWVGA)
● 640 × 360 (nHD)
Part 4 How to calculate the 16:9 Aspect ratio?
First, let’s look at the correct pronunciation of the ratio. You can either say it as 16 by 9 or 16 × 9. It implies 16 units of the longest side for each shortest side. It could also mean 32 by 18 or higher values which can still simplify to 16:9. We can also represent the ratio differently when simplified. In this case, a decimal point separates the ratios. For example, 16:9 is represented as 1.78:1 after being simplified.
Earlier screens and monitors produced old ratios like the 4:3. After the recognition of the 16:9 ratios, have made replacements for them. The16*9 ratio calculatoris also the most common. Have you heard of 720p HD, 1080p HD, and others? All of them are still under the 16:9 ratios but expressed differently. For example, a screen of 1920 × 1080p. Check it out here: 2920/1080 equals 16:9.
First, here’s the formula that we will use in this section.
Width (W) /Height (H) = 1.778
Dividing the width and height gives you 1.778, which is still an aspect ratio of 16:9.
1.778 is a constant in the formula that you can use interchangeably to determine the width or height. Here is a couple of examples to illustrate this.
Example 1:
Ben’s video measures 32 panels wide. Find the number of panels he needs to build a 26:9 display.
W/H = 16/9
32/H = 16/9
H =32 × 9/16
H = 18
Therefore, Ben will need 18 panels to install the display unit.
Example 2
Nancy decides to design an image for a post in the ratio 16:9. If it has 720 pixels, calculate the width of the image needed.
W/H = 19/6
W/720 = 19/6
W = 730 × 19/6
Nancy will need 1280 pixels for her image.
Part 5 How to use an aspect ratio calculator?
These calculations may be easy when you’re used to them. Not interested in many calculations? Use the online aspect ratio calculator instead. That will make it easier and save on time. You will only need to have the width and height of the image that if needed. The 16 *9 ratio calculator will give the remaining distance.
Using the calculator is the most preferred method because it is very precise. Supposing you don’t have any idea about the width or height of your image, just key in the aspect ratio and wait for an instant answer. The aspect ratio will still give the same answer, but the calculator is convenient.
The better part, this calculator provides calculations for landscape and portrait orientation for images. Follow these steps to use the calculator:
Step 1: Go to https://insaneimpact.com/aspect-ratio-calculator/
Step 2: Enter units of width and height in the respective tabs provided and instantly get your aspect ratio.
Part 6 How to shift through aspect ratio you prefer in Filmora?
As you edit videos, adjust them to ensure they fit in an email as an attachment. That will help you upload them easily after you have used some video editing tools. This article elaborates more by using Wondershare Filmora.
Here’s why we recommend Wondershare Filmora Video Editor
The obvious reason is many features that will help you edit the video like a pro. For instance, you can resize, zoom and highlight the best parts of the video. These are some features of Wondershare Filmora’s video editing capabilities.
● Effortlessly resize the sizes of videos and aspect ratios
● Cropping the video to highlight an object
● Addition of effects and more videos
● Uploading edited videos online
● Supports diverse operating systems for smartphones and desktops
Navigating Through Various Aspect Ratios Using Wondershare Filmora
Wondershare Filmora - Best Video Editor for Mac/Windows
5,481,435 people have downloaded it.
Build unique custom animations without breaking a sweat.
Focus on creating epic stories and leave the details to Filmora’s auto features.
Start a creative adventure with drag & drop effects and endless possibilities.
Filmora simplifies advanced features to save you time and effort.
Filmora cuts out repetition so you can move on to your next creative breakthrough.
Different social media platforms will only allow users to upload videos of specified sizes. Therefore, it is imperative to know the right size for your videos. Let me take you through ways of changing an aspect ratio for the image to have the required height and width.
Step 1: Select your projects’ aspect ratio.
Upon opening Wondershare Filmora, a window will pop up on the screen to allow you to select the aspect ratio. There are three options to choose widescreen, standard, and portrait with aspect ratios of 16:9, 4:3, and 1.1, respectively. select the one that you require and click “New Project.”
Step 2: Set the new aspect ratio for the project
Go to File, choose a new project, and then aspect ratio in the editing panel. Please select the one you wish to use and alter it according to your desired format. For instance, you can select a video of 16:9 and reduce it to 1:1.
Step 3: Save the video
Select “Export” to export the video and save it in different formats in the Format tab. Do you feel like playing the video on your phone or any other device? Please move to the device tab and ply it on your smartphone or transfer it into a DVD drive format.
Filmora also provides more advanced features for video editing like rotating, cropping, and scaling. You can also match the colors on your videos, include animations, add effects, track the sounds and even record some background sounds for the video to look good. Go ahead and download for a free trial below to start editing your videos!
Key Takeaways from This Episode
● 1 – A detailed overview of the aspect ratio and aspect ratio calculator.
● 2 – Understanding how to calculate aspect ratios manually and through an aspect ratio calculator.
● 3 – Navigation through different aspect ratios via the wonderful editor, i.e., Wondershare Filmora.
● Finally, a16×9 aspect ratio calculatoris simple to use, provided you follow the steps given. However, an online calculator will make your videos fit in the equipped area. Use Wondershare Filmora for easy editing and changing of the aspect ratio. It is a pro image and video editor and the easiest to use. Start with its trial version by downloading it for free.
Battle of the Giants: Adobe Premiere Pro vs After Effects for Visual Storytelling
After Effects VS Adobe Premiere, 9 Differences Tell You Which One is Better?
Benjamin Arango
Mar 27, 2024• Proven solutions
This is perhaps the most asked question regarding video processing on the internet. And looking at the product descriptions on the Adobe site gives us a clue why. There seems to be a large overlap between the two programs, and technically there is, although as we shall see capability doesn’t always mean suitability, so the similarities are not quite as pronounced as they would appear.
With that in mind, it is worth looking at the key differences between After Effects and Premiere to get a clearer understanding of what is best for which situation and why you would pick one program over the other. So below are the 9 points that I will make a comparison.
Comparison Table
| After Effects | Adobe Premiere | |
|---|---|---|
| Price | $31.49/month | $31.49/month |
| Offcial Features | Create motion graphics and visual effects | Professional video and film editing |
| Includes 100GB of cloud storage | Includes 100GB of cloud storage | |
| Support | Phone/Live/Ticket/Training | Phone/Live/Ticket/Training |
| Users | Advanced/Average | Advanced/Average/Naive |
| Device | Win/Mac/Android/iPhone | Win/Mac/Android/iPhone |
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
After Effects VS Adobe Premiere
1Timeline
There are numerous editing differences between the two programs, but we will start with the timeline as it perhaps best illustrates the different focus of each package. Premiere has a very detailed timeline panel with a huge amount of functionality built in to move through and manipulate the contents of a project. After Effects, on the other hand, has less options for dealing with multiple clips and is designed to deal with the composite components in a more user friendly way.
The upshot of this would be the basic premise of the differences, for editing clips into a movie, whilst both can perform the task to an extent, Premiere’s timeline interface makes it a much easier process with many more options to make technical editing easier for the user.
2Editing
In addition to the timeline, Premiere has an interface and toolset built for precise editing and clip manipulation, both audio and video. This is not surprising of course, Premiere is after all first and foremost an editing package. By contrast, whilst there is editing functionality within After Effects, it is neither as user friendly, nor remotely as comprehensive a tool set, and as such would not be a suitable environment for extensive editing workflow.
This is perhaps the crux of the differences between the two packages, for editing work Premiere offers a complete toolset far beyond the requirements for many projects, but as comprehensive as one wishes, whilst After Effects is focus more on composites and motion video work and has an editing tool set that is not conducive to efficiency and ease of use.
3Audio Mixer
In today’s market the audio component on a video product can be as important as the visual aspects, the audio clip mixer within Premiere is a professional grade tool designed to offer precise control over a projects audio output and includes the ability to use VST3 industry standard plugins. Because After Effects is primarily a composite application it lacks the finesse of Premiere where audio is concerned. Again this shouldn’t be read as being an inferior program, it simply has a different focus.
4Mercury Playback Engine
In terms of perceived functionality probably not the top of the list, but Premiere uses this to employ either software (useful) or hardware (brilliant), assuming you have a compatible graphics card, accelerated real time renderless viewing of clips and sequences. This creates a much faster workflow for editing than is possible with After Effects beyond the previously mentioned tools and interface restrictions.
5 Multicam
In terms of editing this is where After Effects just isn’t comparable at all, the multi camera interface within Premiere is exceptionally featured and allows on the fly angle changes and edits and the ability to sync a single shot through numerous camera simultaneously. As said, the editing functionality on offer here is what Premiere exists for, and whilst both Premiere and After Effects are video manipulation packages, editing and composting are very different focuses, and the products reflect those differences.
6Media Management
Often overlooked but very important for project fidelity, the media management facilities within Premiere are designed around the needs of editing production and enable a much easier organizational approach for large projects than that of After Effects.
7Masking
This is where After Effects comes to the fore. The ability to create masks that track through scenes is a fundamental component of After Effects workflow and why it is so good for effects creation and compositing. None of these effects are readily achievable within Premiere as it ships, and even add ons will never achieve the fluidity and ease of use the purpose designed interface provides.
8 Camera Tracker
The 3D camera tracker within After Effects is an incredibly useful tool designed to replicate the camera movements within a given scene to allow new layers to be added that precisely match the original scene, essential for composite work and simply not possible within Premiere.
9 Effects
The collection of specific tools within After Effects for applying motion control effects, for color control, blurring shadows transitions and titles is vast, and whilst Premiere includes some of its own, it is clear that here After Effects has the edge and it once again highlights the different approach taken by each program. Premiere is primarily an editing application, it is designed to enable the fastest, most efficient and highest quality non-linear editing of a project possible. Within that framework it includes the ability, both natively and with plugins, to incorporate a limited range transitions and effects to aid the editing process.
After Effects, however, is an application built around effects, it is designed to allow an almost unlimited variety of effects, transitions and animations to be incorporated into a project via compositing and as such has a wealth of tools to enable the efficient workflow of those tasks, including some editing tools that would likely be needed for that job.
Conclusion
I’ve seen it explained before in terms of Word and Excel. You can compose a letter in Excel and create a spreadsheet in Word with the tables functionality, but the end result will take much longer and never be quite as good doing it that way. This perhaps is the best way to explain the relationship between Premiere and After Effects.
Yes, a spec sheet makes the two programs seem somewhat comparable, but it is the focus of each application that shows why they differ so much. Ultimately, the best use of these programs is together, they complement each other perfectly.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
This is perhaps the most asked question regarding video processing on the internet. And looking at the product descriptions on the Adobe site gives us a clue why. There seems to be a large overlap between the two programs, and technically there is, although as we shall see capability doesn’t always mean suitability, so the similarities are not quite as pronounced as they would appear.
With that in mind, it is worth looking at the key differences between After Effects and Premiere to get a clearer understanding of what is best for which situation and why you would pick one program over the other. So below are the 9 points that I will make a comparison.
Comparison Table
| After Effects | Adobe Premiere | |
|---|---|---|
| Price | $31.49/month | $31.49/month |
| Offcial Features | Create motion graphics and visual effects | Professional video and film editing |
| Includes 100GB of cloud storage | Includes 100GB of cloud storage | |
| Support | Phone/Live/Ticket/Training | Phone/Live/Ticket/Training |
| Users | Advanced/Average | Advanced/Average/Naive |
| Device | Win/Mac/Android/iPhone | Win/Mac/Android/iPhone |
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
After Effects VS Adobe Premiere
1Timeline
There are numerous editing differences between the two programs, but we will start with the timeline as it perhaps best illustrates the different focus of each package. Premiere has a very detailed timeline panel with a huge amount of functionality built in to move through and manipulate the contents of a project. After Effects, on the other hand, has less options for dealing with multiple clips and is designed to deal with the composite components in a more user friendly way.
The upshot of this would be the basic premise of the differences, for editing clips into a movie, whilst both can perform the task to an extent, Premiere’s timeline interface makes it a much easier process with many more options to make technical editing easier for the user.
2Editing
In addition to the timeline, Premiere has an interface and toolset built for precise editing and clip manipulation, both audio and video. This is not surprising of course, Premiere is after all first and foremost an editing package. By contrast, whilst there is editing functionality within After Effects, it is neither as user friendly, nor remotely as comprehensive a tool set, and as such would not be a suitable environment for extensive editing workflow.
This is perhaps the crux of the differences between the two packages, for editing work Premiere offers a complete toolset far beyond the requirements for many projects, but as comprehensive as one wishes, whilst After Effects is focus more on composites and motion video work and has an editing tool set that is not conducive to efficiency and ease of use.
3Audio Mixer
In today’s market the audio component on a video product can be as important as the visual aspects, the audio clip mixer within Premiere is a professional grade tool designed to offer precise control over a projects audio output and includes the ability to use VST3 industry standard plugins. Because After Effects is primarily a composite application it lacks the finesse of Premiere where audio is concerned. Again this shouldn’t be read as being an inferior program, it simply has a different focus.
4Mercury Playback Engine
In terms of perceived functionality probably not the top of the list, but Premiere uses this to employ either software (useful) or hardware (brilliant), assuming you have a compatible graphics card, accelerated real time renderless viewing of clips and sequences. This creates a much faster workflow for editing than is possible with After Effects beyond the previously mentioned tools and interface restrictions.
5 Multicam
In terms of editing this is where After Effects just isn’t comparable at all, the multi camera interface within Premiere is exceptionally featured and allows on the fly angle changes and edits and the ability to sync a single shot through numerous camera simultaneously. As said, the editing functionality on offer here is what Premiere exists for, and whilst both Premiere and After Effects are video manipulation packages, editing and composting are very different focuses, and the products reflect those differences.
6Media Management
Often overlooked but very important for project fidelity, the media management facilities within Premiere are designed around the needs of editing production and enable a much easier organizational approach for large projects than that of After Effects.
7Masking
This is where After Effects comes to the fore. The ability to create masks that track through scenes is a fundamental component of After Effects workflow and why it is so good for effects creation and compositing. None of these effects are readily achievable within Premiere as it ships, and even add ons will never achieve the fluidity and ease of use the purpose designed interface provides.
8 Camera Tracker
The 3D camera tracker within After Effects is an incredibly useful tool designed to replicate the camera movements within a given scene to allow new layers to be added that precisely match the original scene, essential for composite work and simply not possible within Premiere.
9 Effects
The collection of specific tools within After Effects for applying motion control effects, for color control, blurring shadows transitions and titles is vast, and whilst Premiere includes some of its own, it is clear that here After Effects has the edge and it once again highlights the different approach taken by each program. Premiere is primarily an editing application, it is designed to enable the fastest, most efficient and highest quality non-linear editing of a project possible. Within that framework it includes the ability, both natively and with plugins, to incorporate a limited range transitions and effects to aid the editing process.
After Effects, however, is an application built around effects, it is designed to allow an almost unlimited variety of effects, transitions and animations to be incorporated into a project via compositing and as such has a wealth of tools to enable the efficient workflow of those tasks, including some editing tools that would likely be needed for that job.
Conclusion
I’ve seen it explained before in terms of Word and Excel. You can compose a letter in Excel and create a spreadsheet in Word with the tables functionality, but the end result will take much longer and never be quite as good doing it that way. This perhaps is the best way to explain the relationship between Premiere and After Effects.
Yes, a spec sheet makes the two programs seem somewhat comparable, but it is the focus of each application that shows why they differ so much. Ultimately, the best use of these programs is together, they complement each other perfectly.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
This is perhaps the most asked question regarding video processing on the internet. And looking at the product descriptions on the Adobe site gives us a clue why. There seems to be a large overlap between the two programs, and technically there is, although as we shall see capability doesn’t always mean suitability, so the similarities are not quite as pronounced as they would appear.
With that in mind, it is worth looking at the key differences between After Effects and Premiere to get a clearer understanding of what is best for which situation and why you would pick one program over the other. So below are the 9 points that I will make a comparison.
Comparison Table
| After Effects | Adobe Premiere | |
|---|---|---|
| Price | $31.49/month | $31.49/month |
| Offcial Features | Create motion graphics and visual effects | Professional video and film editing |
| Includes 100GB of cloud storage | Includes 100GB of cloud storage | |
| Support | Phone/Live/Ticket/Training | Phone/Live/Ticket/Training |
| Users | Advanced/Average | Advanced/Average/Naive |
| Device | Win/Mac/Android/iPhone | Win/Mac/Android/iPhone |
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
After Effects VS Adobe Premiere
1Timeline
There are numerous editing differences between the two programs, but we will start with the timeline as it perhaps best illustrates the different focus of each package. Premiere has a very detailed timeline panel with a huge amount of functionality built in to move through and manipulate the contents of a project. After Effects, on the other hand, has less options for dealing with multiple clips and is designed to deal with the composite components in a more user friendly way.
The upshot of this would be the basic premise of the differences, for editing clips into a movie, whilst both can perform the task to an extent, Premiere’s timeline interface makes it a much easier process with many more options to make technical editing easier for the user.
2Editing
In addition to the timeline, Premiere has an interface and toolset built for precise editing and clip manipulation, both audio and video. This is not surprising of course, Premiere is after all first and foremost an editing package. By contrast, whilst there is editing functionality within After Effects, it is neither as user friendly, nor remotely as comprehensive a tool set, and as such would not be a suitable environment for extensive editing workflow.
This is perhaps the crux of the differences between the two packages, for editing work Premiere offers a complete toolset far beyond the requirements for many projects, but as comprehensive as one wishes, whilst After Effects is focus more on composites and motion video work and has an editing tool set that is not conducive to efficiency and ease of use.
3Audio Mixer
In today’s market the audio component on a video product can be as important as the visual aspects, the audio clip mixer within Premiere is a professional grade tool designed to offer precise control over a projects audio output and includes the ability to use VST3 industry standard plugins. Because After Effects is primarily a composite application it lacks the finesse of Premiere where audio is concerned. Again this shouldn’t be read as being an inferior program, it simply has a different focus.
4Mercury Playback Engine
In terms of perceived functionality probably not the top of the list, but Premiere uses this to employ either software (useful) or hardware (brilliant), assuming you have a compatible graphics card, accelerated real time renderless viewing of clips and sequences. This creates a much faster workflow for editing than is possible with After Effects beyond the previously mentioned tools and interface restrictions.
5 Multicam
In terms of editing this is where After Effects just isn’t comparable at all, the multi camera interface within Premiere is exceptionally featured and allows on the fly angle changes and edits and the ability to sync a single shot through numerous camera simultaneously. As said, the editing functionality on offer here is what Premiere exists for, and whilst both Premiere and After Effects are video manipulation packages, editing and composting are very different focuses, and the products reflect those differences.
6Media Management
Often overlooked but very important for project fidelity, the media management facilities within Premiere are designed around the needs of editing production and enable a much easier organizational approach for large projects than that of After Effects.
7Masking
This is where After Effects comes to the fore. The ability to create masks that track through scenes is a fundamental component of After Effects workflow and why it is so good for effects creation and compositing. None of these effects are readily achievable within Premiere as it ships, and even add ons will never achieve the fluidity and ease of use the purpose designed interface provides.
8 Camera Tracker
The 3D camera tracker within After Effects is an incredibly useful tool designed to replicate the camera movements within a given scene to allow new layers to be added that precisely match the original scene, essential for composite work and simply not possible within Premiere.
9 Effects
The collection of specific tools within After Effects for applying motion control effects, for color control, blurring shadows transitions and titles is vast, and whilst Premiere includes some of its own, it is clear that here After Effects has the edge and it once again highlights the different approach taken by each program. Premiere is primarily an editing application, it is designed to enable the fastest, most efficient and highest quality non-linear editing of a project possible. Within that framework it includes the ability, both natively and with plugins, to incorporate a limited range transitions and effects to aid the editing process.
After Effects, however, is an application built around effects, it is designed to allow an almost unlimited variety of effects, transitions and animations to be incorporated into a project via compositing and as such has a wealth of tools to enable the efficient workflow of those tasks, including some editing tools that would likely be needed for that job.
Conclusion
I’ve seen it explained before in terms of Word and Excel. You can compose a letter in Excel and create a spreadsheet in Word with the tables functionality, but the end result will take much longer and never be quite as good doing it that way. This perhaps is the best way to explain the relationship between Premiere and After Effects.
Yes, a spec sheet makes the two programs seem somewhat comparable, but it is the focus of each application that shows why they differ so much. Ultimately, the best use of these programs is together, they complement each other perfectly.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
This is perhaps the most asked question regarding video processing on the internet. And looking at the product descriptions on the Adobe site gives us a clue why. There seems to be a large overlap between the two programs, and technically there is, although as we shall see capability doesn’t always mean suitability, so the similarities are not quite as pronounced as they would appear.
With that in mind, it is worth looking at the key differences between After Effects and Premiere to get a clearer understanding of what is best for which situation and why you would pick one program over the other. So below are the 9 points that I will make a comparison.
Comparison Table
| After Effects | Adobe Premiere | |
|---|---|---|
| Price | $31.49/month | $31.49/month |
| Offcial Features | Create motion graphics and visual effects | Professional video and film editing |
| Includes 100GB of cloud storage | Includes 100GB of cloud storage | |
| Support | Phone/Live/Ticket/Training | Phone/Live/Ticket/Training |
| Users | Advanced/Average | Advanced/Average/Naive |
| Device | Win/Mac/Android/iPhone | Win/Mac/Android/iPhone |
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
After Effects VS Adobe Premiere
1Timeline
There are numerous editing differences between the two programs, but we will start with the timeline as it perhaps best illustrates the different focus of each package. Premiere has a very detailed timeline panel with a huge amount of functionality built in to move through and manipulate the contents of a project. After Effects, on the other hand, has less options for dealing with multiple clips and is designed to deal with the composite components in a more user friendly way.
The upshot of this would be the basic premise of the differences, for editing clips into a movie, whilst both can perform the task to an extent, Premiere’s timeline interface makes it a much easier process with many more options to make technical editing easier for the user.
2Editing
In addition to the timeline, Premiere has an interface and toolset built for precise editing and clip manipulation, both audio and video. This is not surprising of course, Premiere is after all first and foremost an editing package. By contrast, whilst there is editing functionality within After Effects, it is neither as user friendly, nor remotely as comprehensive a tool set, and as such would not be a suitable environment for extensive editing workflow.
This is perhaps the crux of the differences between the two packages, for editing work Premiere offers a complete toolset far beyond the requirements for many projects, but as comprehensive as one wishes, whilst After Effects is focus more on composites and motion video work and has an editing tool set that is not conducive to efficiency and ease of use.
3Audio Mixer
In today’s market the audio component on a video product can be as important as the visual aspects, the audio clip mixer within Premiere is a professional grade tool designed to offer precise control over a projects audio output and includes the ability to use VST3 industry standard plugins. Because After Effects is primarily a composite application it lacks the finesse of Premiere where audio is concerned. Again this shouldn’t be read as being an inferior program, it simply has a different focus.
4Mercury Playback Engine
In terms of perceived functionality probably not the top of the list, but Premiere uses this to employ either software (useful) or hardware (brilliant), assuming you have a compatible graphics card, accelerated real time renderless viewing of clips and sequences. This creates a much faster workflow for editing than is possible with After Effects beyond the previously mentioned tools and interface restrictions.
5 Multicam
In terms of editing this is where After Effects just isn’t comparable at all, the multi camera interface within Premiere is exceptionally featured and allows on the fly angle changes and edits and the ability to sync a single shot through numerous camera simultaneously. As said, the editing functionality on offer here is what Premiere exists for, and whilst both Premiere and After Effects are video manipulation packages, editing and composting are very different focuses, and the products reflect those differences.
6Media Management
Often overlooked but very important for project fidelity, the media management facilities within Premiere are designed around the needs of editing production and enable a much easier organizational approach for large projects than that of After Effects.
7Masking
This is where After Effects comes to the fore. The ability to create masks that track through scenes is a fundamental component of After Effects workflow and why it is so good for effects creation and compositing. None of these effects are readily achievable within Premiere as it ships, and even add ons will never achieve the fluidity and ease of use the purpose designed interface provides.
8 Camera Tracker
The 3D camera tracker within After Effects is an incredibly useful tool designed to replicate the camera movements within a given scene to allow new layers to be added that precisely match the original scene, essential for composite work and simply not possible within Premiere.
9 Effects
The collection of specific tools within After Effects for applying motion control effects, for color control, blurring shadows transitions and titles is vast, and whilst Premiere includes some of its own, it is clear that here After Effects has the edge and it once again highlights the different approach taken by each program. Premiere is primarily an editing application, it is designed to enable the fastest, most efficient and highest quality non-linear editing of a project possible. Within that framework it includes the ability, both natively and with plugins, to incorporate a limited range transitions and effects to aid the editing process.
After Effects, however, is an application built around effects, it is designed to allow an almost unlimited variety of effects, transitions and animations to be incorporated into a project via compositing and as such has a wealth of tools to enable the efficient workflow of those tasks, including some editing tools that would likely be needed for that job.
Conclusion
I’ve seen it explained before in terms of Word and Excel. You can compose a letter in Excel and create a spreadsheet in Word with the tables functionality, but the end result will take much longer and never be quite as good doing it that way. This perhaps is the best way to explain the relationship between Premiere and After Effects.
Yes, a spec sheet makes the two programs seem somewhat comparable, but it is the focus of each application that shows why they differ so much. Ultimately, the best use of these programs is together, they complement each other perfectly.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
FCPX Audio Techniques: Mastering L-Cuts, J-Cuts, and Beyond
Final Cut Pro X Tutorial: L-Cuts and J-Cuts
Benjamin Arango
Aug 18, 2022• Proven solutions
If you wish to edit or create videos like a pro, you do not need to be a professional. Instead, be creative, learn new things, and think out of the box. You could draw inspiration from videos and films for their great clips and animations. If you are already familiar with video making, you would know basic editing tasks like trim, crop, transitions, filters, and so on. Ever knew the term J-Cuts, and L-Cuts?
It could be surprising, but yes, your well-known Final Cut Pro X has this powerful feature still overlooked by many people. So, today, we take it on hand and shall share what L-Cuts and J-Cuts mean. You will be able to create it on your own by the end of this article.
Part 1: The Use of L-Cuts and J-Cuts in Video Editing
Ordinary images, text, subtitles, and GIF doesn’t work anymore to get followers or likes on a video on YouTube channel or Instagram. Thus, video creators are tired of trying the same filters, transitions on the video editor tool. To create amazing videos like the ones played on your television and favorite movies, all you need is the split edit type techniques, a powerful editing tool used by professional editors. Although called professional, it isn’t difficult for a beginner if you know J-Cuts and L-Cuts.
They are nothing but the transition between the video and audio at different times and are entirely separate from wipes and fades. Such video editing technique helps in maintaining visual continuity. These super basic cuts are a combination of dialogue and imagery, thus keeping the video flow without a monotonous feeling.
When you look at the above interface, you will see the basic phenomenon behind the two split cuts. In L-Cuts, although the first video ends, the audio continues to clip two as well.
Then, what is a J cut in Final Cut Pro? It is ultimately reverse or opposite of L-Cuts. Yes, the second clip’s audio starts a while before the scene of the first video ends.
Part 2: Step-by-step Guide on Using L-Cuts and J-Cuts in Final Cut Pro X
As Final Cut Pro X comes overloaded with advanced, powerful tools, you can find it a little tricky. Hence, we are here to help you perform the Final Cut Pro L-Cuts in this session. And, yes, the Final Cut Pro J-Cuts as well.
Step 1: Import media files
Once you launch Final Cut Pro X on your Mac device, create a new project by tapping project under the new section of the “File” menu.
You can now import the video file to the workspace by executing “File > Export > Media” or by tapping the “Import Media” option on the welcome screen.
Step 2: Expand audio in video
Now, drag the videos to the timeline in the respective order, and expand or detach the video’s audio on the timeline for easy or precise working.
Step 3: Drag the second video to the left
To create the Final Cut Pro L-Cuts, make sure that the first clip’s edit point or audio fades out at the end.
Finally, drag the second clip’s edit point to the left so that the video gets the audio of the first video.
L-Cuts are now in Final Cut Pro X.
Note: Here, the L-Cuts added video clip has no audio and has related well enough to the first video clip. If the second video has audio, it must be detached first, and then you should drag the edit point.
Step 4: Final Cut Pro J-Cuts
In the case of Final Cut Pro J-Cuts, the process is reverse, where you need to detach the audio of the preceding or following video clip and drag the first video to the right.
When you look at the transition closely, you can see that it resembles the letter J.
Part 3: Final Cut Pro X Keyboard Shortcuts for L-Cuts and J-Cuts
Final Cut Pro X offers specific keyword shorts to perform Final Cut Pro L-Cuts and Final Cut Pro J-Cuts.
1. As the first step, trim the clips shorter to get the media handles. To detach audio from the video clip, you need to press “Ctrl + S” which will expand the audio.
2. Now, move or place the playhead at the endpoint of both the video clips where here are the keyboard shortcuts:
- To shift the playhead to the earlier edit point: press “Semicolon (;) or up arrow key”.
- To move the playhead to the next edit point: press “Apostrophe (‘) or down arrow key”.
3. To choose the audio or the video edit point, you can do one of the following:
- Press “**Shift-Backslash (\)**” to select both sides of the audio endpoint.
- Press “**Backslash (\)**” to pick both sides of the video endpoint.
4. Here is the actual process or the keyboard shortcut that helps accomplish final cut pro-L-cuts or final cut pro-J-cuts by nudging the edit points.
- To nudge or push the edit point to the left or right: press “**Comma (,) or period (.)**”.
- To move the edit point to the left or right with ten frames: press “**Shift-Comma (,) or Sift-Period (.)**”.
- Using timecode to add or subtract the present edit: press the “**Plus (+)” or “Minus (-)**” key with the timecode duration.
Conclusion
Are you wondering and puzzled that you are a popular Final Cut Pro X user but weren’t aware of this powerful split edit tool till now? It isn’t too late for you to start yet. Finally, as assured at the beginning of the article, we gave you detailed information on what are J-Cuts in Final Cut Pro along with L-Cuts. With practical implementation on creating Final Cut Pro L-Cuts and J-Cuts, all the best for your first video project!
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Aug 18, 2022• Proven solutions
If you wish to edit or create videos like a pro, you do not need to be a professional. Instead, be creative, learn new things, and think out of the box. You could draw inspiration from videos and films for their great clips and animations. If you are already familiar with video making, you would know basic editing tasks like trim, crop, transitions, filters, and so on. Ever knew the term J-Cuts, and L-Cuts?
It could be surprising, but yes, your well-known Final Cut Pro X has this powerful feature still overlooked by many people. So, today, we take it on hand and shall share what L-Cuts and J-Cuts mean. You will be able to create it on your own by the end of this article.
Part 1: The Use of L-Cuts and J-Cuts in Video Editing
Ordinary images, text, subtitles, and GIF doesn’t work anymore to get followers or likes on a video on YouTube channel or Instagram. Thus, video creators are tired of trying the same filters, transitions on the video editor tool. To create amazing videos like the ones played on your television and favorite movies, all you need is the split edit type techniques, a powerful editing tool used by professional editors. Although called professional, it isn’t difficult for a beginner if you know J-Cuts and L-Cuts.
They are nothing but the transition between the video and audio at different times and are entirely separate from wipes and fades. Such video editing technique helps in maintaining visual continuity. These super basic cuts are a combination of dialogue and imagery, thus keeping the video flow without a monotonous feeling.
When you look at the above interface, you will see the basic phenomenon behind the two split cuts. In L-Cuts, although the first video ends, the audio continues to clip two as well.
Then, what is a J cut in Final Cut Pro? It is ultimately reverse or opposite of L-Cuts. Yes, the second clip’s audio starts a while before the scene of the first video ends.
Part 2: Step-by-step Guide on Using L-Cuts and J-Cuts in Final Cut Pro X
As Final Cut Pro X comes overloaded with advanced, powerful tools, you can find it a little tricky. Hence, we are here to help you perform the Final Cut Pro L-Cuts in this session. And, yes, the Final Cut Pro J-Cuts as well.
Step 1: Import media files
Once you launch Final Cut Pro X on your Mac device, create a new project by tapping project under the new section of the “File” menu.
You can now import the video file to the workspace by executing “File > Export > Media” or by tapping the “Import Media” option on the welcome screen.
Step 2: Expand audio in video
Now, drag the videos to the timeline in the respective order, and expand or detach the video’s audio on the timeline for easy or precise working.
Step 3: Drag the second video to the left
To create the Final Cut Pro L-Cuts, make sure that the first clip’s edit point or audio fades out at the end.
Finally, drag the second clip’s edit point to the left so that the video gets the audio of the first video.
L-Cuts are now in Final Cut Pro X.
Note: Here, the L-Cuts added video clip has no audio and has related well enough to the first video clip. If the second video has audio, it must be detached first, and then you should drag the edit point.
Step 4: Final Cut Pro J-Cuts
In the case of Final Cut Pro J-Cuts, the process is reverse, where you need to detach the audio of the preceding or following video clip and drag the first video to the right.
When you look at the transition closely, you can see that it resembles the letter J.
Part 3: Final Cut Pro X Keyboard Shortcuts for L-Cuts and J-Cuts
Final Cut Pro X offers specific keyword shorts to perform Final Cut Pro L-Cuts and Final Cut Pro J-Cuts.
1. As the first step, trim the clips shorter to get the media handles. To detach audio from the video clip, you need to press “Ctrl + S” which will expand the audio.
2. Now, move or place the playhead at the endpoint of both the video clips where here are the keyboard shortcuts:
- To shift the playhead to the earlier edit point: press “Semicolon (;) or up arrow key”.
- To move the playhead to the next edit point: press “Apostrophe (‘) or down arrow key”.
3. To choose the audio or the video edit point, you can do one of the following:
- Press “**Shift-Backslash (\)**” to select both sides of the audio endpoint.
- Press “**Backslash (\)**” to pick both sides of the video endpoint.
4. Here is the actual process or the keyboard shortcut that helps accomplish final cut pro-L-cuts or final cut pro-J-cuts by nudging the edit points.
- To nudge or push the edit point to the left or right: press “**Comma (,) or period (.)**”.
- To move the edit point to the left or right with ten frames: press “**Shift-Comma (,) or Sift-Period (.)**”.
- Using timecode to add or subtract the present edit: press the “**Plus (+)” or “Minus (-)**” key with the timecode duration.
Conclusion
Are you wondering and puzzled that you are a popular Final Cut Pro X user but weren’t aware of this powerful split edit tool till now? It isn’t too late for you to start yet. Finally, as assured at the beginning of the article, we gave you detailed information on what are J-Cuts in Final Cut Pro along with L-Cuts. With practical implementation on creating Final Cut Pro L-Cuts and J-Cuts, all the best for your first video project!
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Aug 18, 2022• Proven solutions
If you wish to edit or create videos like a pro, you do not need to be a professional. Instead, be creative, learn new things, and think out of the box. You could draw inspiration from videos and films for their great clips and animations. If you are already familiar with video making, you would know basic editing tasks like trim, crop, transitions, filters, and so on. Ever knew the term J-Cuts, and L-Cuts?
It could be surprising, but yes, your well-known Final Cut Pro X has this powerful feature still overlooked by many people. So, today, we take it on hand and shall share what L-Cuts and J-Cuts mean. You will be able to create it on your own by the end of this article.
Part 1: The Use of L-Cuts and J-Cuts in Video Editing
Ordinary images, text, subtitles, and GIF doesn’t work anymore to get followers or likes on a video on YouTube channel or Instagram. Thus, video creators are tired of trying the same filters, transitions on the video editor tool. To create amazing videos like the ones played on your television and favorite movies, all you need is the split edit type techniques, a powerful editing tool used by professional editors. Although called professional, it isn’t difficult for a beginner if you know J-Cuts and L-Cuts.
They are nothing but the transition between the video and audio at different times and are entirely separate from wipes and fades. Such video editing technique helps in maintaining visual continuity. These super basic cuts are a combination of dialogue and imagery, thus keeping the video flow without a monotonous feeling.
When you look at the above interface, you will see the basic phenomenon behind the two split cuts. In L-Cuts, although the first video ends, the audio continues to clip two as well.
Then, what is a J cut in Final Cut Pro? It is ultimately reverse or opposite of L-Cuts. Yes, the second clip’s audio starts a while before the scene of the first video ends.
Part 2: Step-by-step Guide on Using L-Cuts and J-Cuts in Final Cut Pro X
As Final Cut Pro X comes overloaded with advanced, powerful tools, you can find it a little tricky. Hence, we are here to help you perform the Final Cut Pro L-Cuts in this session. And, yes, the Final Cut Pro J-Cuts as well.
Step 1: Import media files
Once you launch Final Cut Pro X on your Mac device, create a new project by tapping project under the new section of the “File” menu.
You can now import the video file to the workspace by executing “File > Export > Media” or by tapping the “Import Media” option on the welcome screen.
Step 2: Expand audio in video
Now, drag the videos to the timeline in the respective order, and expand or detach the video’s audio on the timeline for easy or precise working.
Step 3: Drag the second video to the left
To create the Final Cut Pro L-Cuts, make sure that the first clip’s edit point or audio fades out at the end.
Finally, drag the second clip’s edit point to the left so that the video gets the audio of the first video.
L-Cuts are now in Final Cut Pro X.
Note: Here, the L-Cuts added video clip has no audio and has related well enough to the first video clip. If the second video has audio, it must be detached first, and then you should drag the edit point.
Step 4: Final Cut Pro J-Cuts
In the case of Final Cut Pro J-Cuts, the process is reverse, where you need to detach the audio of the preceding or following video clip and drag the first video to the right.
When you look at the transition closely, you can see that it resembles the letter J.
Part 3: Final Cut Pro X Keyboard Shortcuts for L-Cuts and J-Cuts
Final Cut Pro X offers specific keyword shorts to perform Final Cut Pro L-Cuts and Final Cut Pro J-Cuts.
1. As the first step, trim the clips shorter to get the media handles. To detach audio from the video clip, you need to press “Ctrl + S” which will expand the audio.
2. Now, move or place the playhead at the endpoint of both the video clips where here are the keyboard shortcuts:
- To shift the playhead to the earlier edit point: press “Semicolon (;) or up arrow key”.
- To move the playhead to the next edit point: press “Apostrophe (‘) or down arrow key”.
3. To choose the audio or the video edit point, you can do one of the following:
- Press “**Shift-Backslash (\)**” to select both sides of the audio endpoint.
- Press “**Backslash (\)**” to pick both sides of the video endpoint.
4. Here is the actual process or the keyboard shortcut that helps accomplish final cut pro-L-cuts or final cut pro-J-cuts by nudging the edit points.
- To nudge or push the edit point to the left or right: press “**Comma (,) or period (.)**”.
- To move the edit point to the left or right with ten frames: press “**Shift-Comma (,) or Sift-Period (.)**”.
- Using timecode to add or subtract the present edit: press the “**Plus (+)” or “Minus (-)**” key with the timecode duration.
Conclusion
Are you wondering and puzzled that you are a popular Final Cut Pro X user but weren’t aware of this powerful split edit tool till now? It isn’t too late for you to start yet. Finally, as assured at the beginning of the article, we gave you detailed information on what are J-Cuts in Final Cut Pro along with L-Cuts. With practical implementation on creating Final Cut Pro L-Cuts and J-Cuts, all the best for your first video project!
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Aug 18, 2022• Proven solutions
If you wish to edit or create videos like a pro, you do not need to be a professional. Instead, be creative, learn new things, and think out of the box. You could draw inspiration from videos and films for their great clips and animations. If you are already familiar with video making, you would know basic editing tasks like trim, crop, transitions, filters, and so on. Ever knew the term J-Cuts, and L-Cuts?
It could be surprising, but yes, your well-known Final Cut Pro X has this powerful feature still overlooked by many people. So, today, we take it on hand and shall share what L-Cuts and J-Cuts mean. You will be able to create it on your own by the end of this article.
Part 1: The Use of L-Cuts and J-Cuts in Video Editing
Ordinary images, text, subtitles, and GIF doesn’t work anymore to get followers or likes on a video on YouTube channel or Instagram. Thus, video creators are tired of trying the same filters, transitions on the video editor tool. To create amazing videos like the ones played on your television and favorite movies, all you need is the split edit type techniques, a powerful editing tool used by professional editors. Although called professional, it isn’t difficult for a beginner if you know J-Cuts and L-Cuts.
They are nothing but the transition between the video and audio at different times and are entirely separate from wipes and fades. Such video editing technique helps in maintaining visual continuity. These super basic cuts are a combination of dialogue and imagery, thus keeping the video flow without a monotonous feeling.
When you look at the above interface, you will see the basic phenomenon behind the two split cuts. In L-Cuts, although the first video ends, the audio continues to clip two as well.
Then, what is a J cut in Final Cut Pro? It is ultimately reverse or opposite of L-Cuts. Yes, the second clip’s audio starts a while before the scene of the first video ends.
Part 2: Step-by-step Guide on Using L-Cuts and J-Cuts in Final Cut Pro X
As Final Cut Pro X comes overloaded with advanced, powerful tools, you can find it a little tricky. Hence, we are here to help you perform the Final Cut Pro L-Cuts in this session. And, yes, the Final Cut Pro J-Cuts as well.
Step 1: Import media files
Once you launch Final Cut Pro X on your Mac device, create a new project by tapping project under the new section of the “File” menu.
You can now import the video file to the workspace by executing “File > Export > Media” or by tapping the “Import Media” option on the welcome screen.
Step 2: Expand audio in video
Now, drag the videos to the timeline in the respective order, and expand or detach the video’s audio on the timeline for easy or precise working.
Step 3: Drag the second video to the left
To create the Final Cut Pro L-Cuts, make sure that the first clip’s edit point or audio fades out at the end.
Finally, drag the second clip’s edit point to the left so that the video gets the audio of the first video.
L-Cuts are now in Final Cut Pro X.
Note: Here, the L-Cuts added video clip has no audio and has related well enough to the first video clip. If the second video has audio, it must be detached first, and then you should drag the edit point.
Step 4: Final Cut Pro J-Cuts
In the case of Final Cut Pro J-Cuts, the process is reverse, where you need to detach the audio of the preceding or following video clip and drag the first video to the right.
When you look at the transition closely, you can see that it resembles the letter J.
Part 3: Final Cut Pro X Keyboard Shortcuts for L-Cuts and J-Cuts
Final Cut Pro X offers specific keyword shorts to perform Final Cut Pro L-Cuts and Final Cut Pro J-Cuts.
1. As the first step, trim the clips shorter to get the media handles. To detach audio from the video clip, you need to press “Ctrl + S” which will expand the audio.
2. Now, move or place the playhead at the endpoint of both the video clips where here are the keyboard shortcuts:
- To shift the playhead to the earlier edit point: press “Semicolon (;) or up arrow key”.
- To move the playhead to the next edit point: press “Apostrophe (‘) or down arrow key”.
3. To choose the audio or the video edit point, you can do one of the following:
- Press “**Shift-Backslash (\)**” to select both sides of the audio endpoint.
- Press “**Backslash (\)**” to pick both sides of the video endpoint.
4. Here is the actual process or the keyboard shortcut that helps accomplish final cut pro-L-cuts or final cut pro-J-cuts by nudging the edit points.
- To nudge or push the edit point to the left or right: press “**Comma (,) or period (.)**”.
- To move the edit point to the left or right with ten frames: press “**Shift-Comma (,) or Sift-Period (.)**”.
- Using timecode to add or subtract the present edit: press the “**Plus (+)” or “Minus (-)**” key with the timecode duration.
Conclusion
Are you wondering and puzzled that you are a popular Final Cut Pro X user but weren’t aware of this powerful split edit tool till now? It isn’t too late for you to start yet. Finally, as assured at the beginning of the article, we gave you detailed information on what are J-Cuts in Final Cut Pro along with L-Cuts. With practical implementation on creating Final Cut Pro L-Cuts and J-Cuts, all the best for your first video project!
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
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- Title: New In 2024, FCPX Visual Storytelling Using Freeze Frames and Slow Motion for Impact
- Author: MdadeLe
- Created at : 2024-05-19 08:28:41
- Updated at : 2024-05-20 08:28:41
- Link: https://smart-video-editing.techidaily.com/new-in-2024-fcpx-visual-storytelling-using-freeze-frames-and-slow-motion-for-impact/
- License: This work is licensed under CC BY-NC-SA 4.0.
